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JOHN CABOT UNIVERSITY
COURSE CODE: "HS 311"
COURSE NAME: "History, Memory, and Popular Culture"
SEMESTER & YEAR:
Summer Session I 2016
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SYLLABUS
INSTRUCTOR:
Vanda Wilcox
EMAIL: [email protected]
HOURS:
MTWTH 11:00AM 12:45AM
TOTAL NO. OF CONTACT HOURS:
45
CREDITS:
3
PREREQUISITES:
Co-requisites: EN 110; Recommended: Junior Standing, One previous history course
OFFICE HOURS:
by appointment
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COURSE DESCRIPTION:
This course aims to explore the relationship between history, memory, and popular culture: how is our view of the past shaped by popular culture, and how do societies collectively remember and represent the past? Students will learn to think critically about representations of the past in popular culture and the relationship between history and present day society.
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SUMMARY OF COURSE CONTENT:
Memories of past events live on and continue to affect the present in politics, society and culture. This seminar course introduces students to the concept of memory studies; explores the relationships between history and memory; and examines some of the ways in which societies and cultures remember and represent the past. Students will consider representations of twentieth century history in popular culture, especially comics, film and television, as well as formal means of memorialisation such as commemorative sites (memorials, monuments and museums).
In light of current debates about integration and immigration in France, we will focus on the history and memory of the French empire in North Africa, including the French-Algerian war and its legacies for North African immigration into France and for questions of contemporary French identity. Other topics to be considered in Summer 2016 include the two World Wars and the Holocaust
The course is likely to be of particular interest not only to history majors but to media and communications majors.
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LEARNING OUTCOMES:
By the end of the course, students will:
* have a greater understanding of the processes by which the past is remembered, presented and interpreted;
* be able to identify and critique public narratives about the past;
* be able to critically evaluate the ways in which various crucial twentieth century events have been presented.
The course will lead students to consider the relationships between the past and the present along with exploring some aspects of the way history operates as a discipline.
Key skills used and developed by the course will be:
- critical reading and thinking;
- analysis and argument;
- participation in and leadership of class discussions;
- oral and written presentation of critical reactions to key cultural sources such as texts, films, monuments;
- independently planning, researching and writing a specific topical study.
Developing an individual analysis, justifying it with appropriate arguments and citations, and effectively communicating these ideas whether orally or in writing, are the central requirements of the course. Students will also develop their skills in preparing and delivering a presentation in front of the class.
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TEXTBOOK:
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REQUIRED RESERVED READING:
Book Title | Author | Publisher | ISBN number | Library Call Number | Comments |
Defeat and Memory | Jenny Macleod | Palgrave Macmillan | 978023051740 | D214 .D44 | |
War and Film | James Chapman | Reaktion | 9781861893475 | PN1995.9.W3 C53 | |
The Hollywood Historical Film | R. Burgoyne | Blackwell | 978-1405146036 | PN1995.9.H5 B89 | |
War and Remembrance in the Twentieth Century | J. Winter & E. Sivan | Cambridge University Press | 978-0521794367 | D421 .W36 | |
RECOMMENDED RESERVED READING:
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GRADING POLICY
-ASSESSMENT METHODS:
Assignment | Guidelines | Weight |
Research paper | Students will also write a 3500-word independent research paper during the semester, which will constitute a significant proportion of their final grade. This will be based on individually selected topic, in consultation with the instructor, and represent a chance for students to explore the history and memory of a specific event or topic of their choice, or to critically compare several cultural works and their roles in generating collective memory.
Students will be required to submit a detailed outline and annotated bibliography two weeks before the paper is due, in order to receive feedback.
| 30% |
Reading Responses / Class Participation | This is an advanced seminar, so alongside lectures and reading assignments, the course will rely heavily on class discussion. Students will be expected to participate through informal presentations and debate, based on critical evaluation of films, television shows and novels as well as assigned readings. It is essential that you come to class prepared and ready to discuss the readings. Three short written reading OR screening responses should be submitted during the semester.
If you attend every class but do not participate in discussion (by asking and answering questions and analysing the readings and screenings) then you will not pass this section.
| 25% |
Class Presentations | Students will produce a 15-minute presentation, either individually or jointly, to the class on a topic to be assigned by the instructor. Topics will be allocated in Week 1 of the semester. | 15% |
Final Exam | The final exam will assess students' understanding of the themes and ideas encountered during the semester. | 30% |
-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course, leading to written work of an exceptional quality. Students have directly engaged with the theoretical approaches to memory studies outlined in the course BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluate theory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture and reference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments. Students show some ability to work with the theoretical approaches to memory studies outlined in the course. CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings. Basic or minimal understanding of theoretical approaches to memory studies are displayed. DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail. FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.
-ATTENDANCE REQUIREMENTS:
Attendance at this class is not mandatory, however class participation makes up a significant share of your grade and if you are not present you will not be able to participate. You will be expected to discuss the films we view and other material only covered in class – as well as material from the reading assignments - during your final exam so it is your responsibility to catch up on any material you miss.
Attendance is taken at the start of each class for my records.
Please do not use laptops, computers or mobile phones in the classroom. If you need an exemption to this policy please come to speak to me at the start of the course.
It is not possible to arrange make-ups for final exams. Please refer to the university catalog for the attendance and absence policy.
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ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic
dishonesty will receive a failing grade on the work in which the dishonesty occurred.
In addition, acts of academic dishonesty, irrespective of the weight of the assignment,
may result in the student receiving a failing grade in the course. Instances of
academic dishonesty will be reported to the Dean of Academic Affairs. A student
who is reported twice for academic dishonesty is subject to summary dismissal from
the University. In such a case, the Academic Council will then make a recommendation
to the President, who will make the final decision.
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STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap.
Students with approved accommodations must inform their professors at the beginning
of the term. Please see the website for the complete policy.
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SCHEDULE
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This is a rough draft of the semester schedule which will be discussed and modified in class as necessary.
Assignments must be completed BY the date for which they are listed.
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Class Topic
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Assignment
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1.
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Social memory, cultural memory and personal memory – a theoretical introduction
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2.
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Constructing popular memory: film, TV, literature, memoirs, memorials & commemoration
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Readings on Masada on moodle / class handouts
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3.
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War memorials and the Tomb of the Unknown Soldier
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Visit the Vittoriano monument in Piazza Venezia & the Tomb of the Unknown soldier there.
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4.
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Remembrance days: public holidays around the world
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5.
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Film: Paths of Glory (1957)
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6.
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Discussion of Paths of Glory. Blackadder Goes Forth (1989)
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Articles on Moodle.
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7.
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Film: Days of Glory (2005)
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8.
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Discussion of Days of Glory, intro to the French-Algerian War.
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N. Cooper, “‘Days of Glory’? Veterans, reparation and national memory”. Journal of War and Culture Studies, 2007 1(1): 91-106 (on moodle)
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9.
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Film: The Battle of Algiers (1966)
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NY Times reading on Battle of Algiers (on moodle)
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P
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10.
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Discussion of reading & film; France & Algeria today
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A. Prost “The Algerian War in French collective memory” in Winters & Sivan
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11.
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Film: The Longest Day (1962)
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Burgoyne Intro & Ch. 1
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12.
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Realism & Saving Private Ryan – representation vs experience
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Burgoyne Ch.2
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13.
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Film: Catch-22 (1970)
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J. Chapman, War and Film, pp. 17-90
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P
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14.
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Genre in World War II films; memorials of WWII
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J. Chapman, War and Film, pp. 184-204
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P
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15.
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Holocaust memory & monuments around the world
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D. Ofer. "The Past That Does Not Pass: Israelis and Holocaust Memory."Israel Studies 14.1 (2009): 1-35. (on moodle)
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16.
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Film: Downfall (2006)
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P
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17.
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Japan & the Second World War: the Tokyo trials
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J. Macleod, Defeat and Memory: Cultural histories of military defeat (2008) Ch. 9
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P
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18.
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Japan & the Second World War: the School Textbook controversy & veterans’ organisations
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J. Macleod, Defeat and Memory: Cultural histories of military defeat (2008) Ch.10
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P
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19.
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Contemporary memory: 9/11 and other recent terrorism
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Burgoyne, Ch. 6. Select ONE online memorial site and come to class prepared to show it / discuss it.
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20.
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Conclusions & Revision Session
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The symbol P indicates that a student presentation is scheduled
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