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JOHN CABOT UNIVERSITY

COURSE CODE: "AH 142"
COURSE NAME: "World Art II: Visual Culture of the Middle Ages and Islam"
SEMESTER & YEAR: Spring 2014
SYLLABUS

INSTRUCTOR: Lila Yawn
EMAIL: [email protected]
HOURS: TTH 1:30 PM 2:45 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES:
OFFICE HOURS:

COURSE DESCRIPTION:

During the term, students will:

·       Develop an accurate internal, mental map of the broad development of art and architecture in Europe, the Near and Middle East, sub-Saharan Africa, and the Americas from c. 400 C.E. to c. 1300 C.E., with reference to specific works of art and architecture.

·       Assiduously practice and cultivate their skill at describing works of art and architecture vividly, evocatively, accurately

·       Analyze iconographies vis-à-vis their sources in specific texts and earlier iconographies

·       Compare and contrast the aesthetic and material-visual traditions of medieval Europe with those of Islamic, American, and African cultures of the same period

SUMMARY OF COURSE CONTENT:

AH142 surveys the art and architecture of europe, western Asia, Africa, and the Americas beginning at the end of antiquity in the mediterranean (fifh-sixth centuries c.e.) and ending in c. 1300, with gothic art and the first glimmerings of a return to pictorial illusionism in european

painting. Its principal foci are the arts of medieval Europe, the Byzantine Empire, and Islamic territories, with briefer units on the arts of sub-Saharan Africa and pre-Columbian America.

The chief objective of the course is to equip students with a mental map of artistic developments of the period in their broader cultural-historical contexts. Special attention will be given to religious traditions and to the languages of art developed to serve, express, and enrich those

traditions. The course will also assist students in cultivating basic art-historical skills, in particular description, stylistic analysis, and iconographic and iconological analysis.

LEARNING OUTCOMES:

Specifically, students will learn to:

·       Identify major monuments of late ancient, medieval European, Byzantine, Islamic, African, and Pre-Columbian American art from c. 400 to c. 1300, specifying their respective dates, authors, medias, and cultures and periods of origin.

·       Describe and analyze works of art from those periods and cultures, with particular attention to their iconographies, period meanings, and social functions.

TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
Gardner's Art through the Ages: A Global History, International EditionKleinerCengage LearningISBN-10 1111771154, ISBN-13 9781111771157     
REQUIRED RESERVED READING:
NONE

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
Professionalism & quizzesParticipation in class discussions (including the asking of intelligent & thoughtful questions), evidence of out-of-class preparation & extra reading, punctuality, collegiality, inquisitiveness, obvious and constant engagement in the course in and out of class + short quizzes (slide IDs or other questions) at the instructor's discretion15%
Midterm examinationSlide identifications, term defnitions, essays (formal, iconographic, and functional analyses)20%
Research journal / paper assignmentsVisual descriptions / analyses of works of art and architecture, observed in person35%
Final examinationSlide identifications, term definitions, essays (formal, iconographic, functional analyses)30%

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:

In this course students will:

° Form an accurate mental map of the broad development of art and architecture in Europe, the Middle East, Africa, and the Americas

from c. 400 C.E. to c. 1300 C.E., learning to identify and analyze specific, representative works of art and architecture.

° Acquire and exercise the basic descriptive abd analytical skills of art history: visual description; formal, iconographic, and contextual

analysis

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

Class no.

 Month

 Day

Session Focus

Preparatory reading:  Gardner chapter…

Assignments Due / Exams

1a

1

14

Introduction to the course

 

 

1b

1

16

Jewish and Christian Art in Late Antiquity

11

 

2a

1

21

Jewish and Christian Art in Late Antiquity

11

 

2b

1

23

Jewish and Christian Art in Late Antiquity

11

 

3a

1

28

Early Byzantine Art

12

 

3b

1

30

Early Byzantine Art

12

Journal (pt1) due

4a

2

4

The Iconoclastic Controversy

12

 

4b

2

6

Middle Byzantine Art

12

 

5a

2

11

Islamic Art

13

 

5b

2

11

Islamic Art

13

Evening session, time TBA

6a

2

13

Islamic Art

13

 

6b

2

18

Islamic Art

13

 

7a

2

18

Arts of Ancient America

14

Evening session, time TBA

7b

2

20

Arts of Ancient America

14

 

8a

2

25

Midterm examination

 

Midterm exam

8b

3

27

Early African Art

15

 

9a

3

4

Early Medieval Art in Europe

16

 

9b

3

6

Early Medieval Art in Europe

16

Journal (pt2) due

10a

3

11

Early Medieval Art in Europe

16

 

10b

3

13

Early Medieval Art in Europe

15

 

11a

4

1

Romanesque Art & the Crusades

17

 

11b

4

3

Romanesque Art & the Crusades

17

 

12a

4

8

Romanesque Art & the Crusades

17

 

12b

4

10

Romanesque Art & the Crusades

17

Journal (pt3) due

13a

4

15

Gothic Art & Architecture

17

 

13b

4

17

Gothic Art & Architecture

18

 

14a

4

22

Gothic Art & Architecture

18

 

14b

4

24

Gothic Art & Architecture

18

 

 

 

 

FINAL EXAM WEEK

 

Final exam, date/time TBA