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JOHN CABOT UNIVERSITY
COURSE CODE: "AH 142"
COURSE NAME: "World Art II: Visual Culture of the Middle Ages and Islam"
SEMESTER & YEAR:
Spring 2014
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SYLLABUS
INSTRUCTOR:
Lila Yawn
EMAIL: [email protected]
HOURS:
TTH 1:30 PM 2:45 PM
TOTAL NO. OF CONTACT HOURS:
45
CREDITS:
3
PREREQUISITES:
OFFICE HOURS:
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COURSE DESCRIPTION:
During the term, students will:
· Develop an accurate internal, mental map of the broad development of art and architecture in Europe, the Near and Middle East, sub-Saharan Africa, and the Americas from c. 400 C.E. to c. 1300 C.E., with reference to specific works of art and architecture.
· Assiduously practice and cultivate their skill at describing works of art and architecture vividly, evocatively, accurately
· Analyze iconographies vis-à-vis their sources in specific texts and earlier iconographies
· Compare and contrast the aesthetic and material-visual traditions of medieval Europe with those of Islamic, American, and African cultures of the same period
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SUMMARY OF COURSE CONTENT:
AH142 surveys the art and architecture of europe, western Asia, Africa, and the Americas beginning at the end of antiquity in the mediterranean (fifh-sixth centuries c.e.) and ending in c. 1300, with gothic art and the first glimmerings of a return to pictorial illusionism in european
painting. Its principal foci are the arts of medieval Europe, the Byzantine Empire, and Islamic territories, with briefer units on the arts of sub-Saharan Africa and pre-Columbian America.
The chief objective of the course is to equip students with a mental map of artistic developments of the period in their broader cultural-historical contexts. Special attention will be given to religious traditions and to the languages of art developed to serve, express, and enrich those
traditions. The course will also assist students in cultivating basic art-historical skills, in particular description, stylistic analysis, and iconographic and iconological analysis.
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LEARNING OUTCOMES:
Specifically, students will learn to:
· Identify major monuments of late ancient, medieval European, Byzantine, Islamic, African, and Pre-Columbian American art from c. 400 to c. 1300, specifying their respective dates, authors, medias, and cultures and periods of origin.
· Describe and analyze works of art from those periods and cultures, with particular attention to their iconographies, period meanings, and social functions.
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TEXTBOOK:
Book Title | Author | Publisher | ISBN number | Library Call Number | Comments | Format | Local Bookstore | Online Purchase |
Gardner's Art through the Ages: A Global History, International Edition | Kleiner | Cengage Learning | ISBN-10 1111771154, ISBN-13 9781111771157 | | | | | |
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REQUIRED RESERVED READING:
RECOMMENDED RESERVED READING:
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GRADING POLICY
-ASSESSMENT METHODS:
Assignment | Guidelines | Weight |
Professionalism & quizzes | Participation in class discussions (including the asking of intelligent & thoughtful questions), evidence of
out-of-class preparation & extra reading, punctuality, collegiality, inquisitiveness, obvious and constant
engagement in the course in and out of class + short quizzes (slide IDs or other questions) at the instructor's
discretion | 15% |
Midterm examination | Slide identifications, term defnitions, essays (formal, iconographic, and functional analyses) | 20% |
Research journal / paper assignments | Visual descriptions / analyses of works of art and architecture, observed in person | 35% |
Final examination | Slide identifications, term definitions, essays (formal, iconographic, functional analyses) | 30% |
-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments. CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings. DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail. FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.
-ATTENDANCE REQUIREMENTS:
In this course students will:
° Form an accurate mental map of the broad development of art and architecture in Europe, the Middle East, Africa, and the Americas
from c. 400 C.E. to c. 1300 C.E., learning to identify and analyze specific, representative works of art and architecture.
° Acquire and exercise the basic descriptive abd analytical skills of art history: visual description; formal, iconographic, and contextual
analysis
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ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic
dishonesty will receive a failing grade on the work in which the dishonesty occurred.
In addition, acts of academic dishonesty, irrespective of the weight of the assignment,
may result in the student receiving a failing grade in the course. Instances of
academic dishonesty will be reported to the Dean of Academic Affairs. A student
who is reported twice for academic dishonesty is subject to summary dismissal from
the University. In such a case, the Academic Council will then make a recommendation
to the President, who will make the final decision.
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STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap.
Students with approved accommodations must inform their professors at the beginning
of the term. Please see the website for the complete policy.
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SCHEDULE
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Class no.
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Month
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Day
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Session Focus
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Preparatory reading: Gardner chapter…
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Assignments Due / Exams
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1a
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1
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14
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Introduction to the course
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1b
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1
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16
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Jewish and Christian Art in Late Antiquity
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11
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2a
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1
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21
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Jewish and Christian Art in Late Antiquity
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11
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2b
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1
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23
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Jewish and Christian Art in Late Antiquity
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11
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3a
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1
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28
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Early Byzantine Art
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12
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3b
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1
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30
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Early Byzantine Art
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12
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Journal (pt1) due
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4a
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2
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4
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The Iconoclastic Controversy
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12
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4b
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2
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6
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Middle Byzantine Art
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12
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5a
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2
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11
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Islamic Art
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13
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5b
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2
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11
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Islamic Art
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13
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Evening session, time TBA
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6a
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2
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13
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Islamic Art
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13
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6b
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2
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18
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Islamic Art
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13
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7a
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2
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18
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Arts of Ancient America
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14
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Evening session, time TBA
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7b
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2
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20
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Arts of Ancient America
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14
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8a
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2
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25
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Midterm examination
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Midterm exam
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8b
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3
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27
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Early African Art
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15
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9a
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3
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4
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Early Medieval Art in Europe
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16
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9b
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3
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6
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Early Medieval Art in Europe
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16
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Journal (pt2) due
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10a
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3
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11
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Early Medieval Art in Europe
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16
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10b
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3
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13
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Early Medieval Art in Europe
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15
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11a
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4
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1
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Romanesque Art & the Crusades
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17
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11b
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4
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3
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Romanesque Art & the Crusades
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17
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12a
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4
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8
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Romanesque Art & the Crusades
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17
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12b
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4
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10
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Romanesque Art & the Crusades
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17
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Journal (pt3) due
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13a
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4
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15
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Gothic Art & Architecture
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17
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13b
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4
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17
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Gothic Art & Architecture
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18
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14a
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4
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22
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Gothic Art & Architecture
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18
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14b
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4
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24
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Gothic Art & Architecture
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18
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FINAL EXAM WEEK
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Final exam, date/time TBA
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