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JOHN CABOT UNIVERSITY

COURSE CODE: "AH 290-2"
COURSE NAME: "Ancient Rome and Its Monuments (On-site; activity fee €40 or $52) (N.B. On-campus sessions for this class will be held 13:30-16:15)"
SEMESTER & YEAR: Fall Semester 2012
SYLLABUS

INSTRUCTOR: Nolan Linda
EMAIL: [email protected]
HOURS: TH 14:15-17:00
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES: On-site; activity fee: €40 or $52
OFFICE HOURS: After class or by appointment.

COURSE DESCRIPTION:

AH290 is intended to introduce students to the survey of architectural and artistic monuments of ancient Rome from roughly the Archaic period to the Late Antique (8th century BC to the 4th century AD). The on-site classes are arranged by themes and chronology. Emphasis is placed on understanding and interpreting the meaning and the function of the ancient monuments in the ancient past, but also successive periods.

SUMMARY OF COURSE CONTENT:

Although conceived as a survey of ancient Roman monuments, with emphasis on architecture and sculpture, this course will provide students the opportunity to consider a number of themes which are specific to the study of ancient Roman material culture, but also in general objects from the distant past. Students will be introduced to methods of historical inquiry, especially how archaeologists, Classicists, and art historians, make sense of the fragments of the ancient world to arrive at our current understanding of ancient monuments.  Through a series of selected readings directly related to site visits, students will be introduced to the following themes: the “Roman copy of the Greek original” in Roman sculpture; the taste for Greek art and culture in the Roman world; the idea of civic responsibility; Rome the cosmopolis; how political change (e.g. the transition from Republic to Empire) is registered in the urban fabric and arts of ancient Rome; and the impact of later periods (e.g. the Fascist period) on our understanding of the Roman monuments. In addition, site visits will allow students to learn about the different building materials, sculpture techniques, and how to distinguish the ancient fabric (architecture and sculptural) from later periods of restoration and reuse.

LEARNING OUTCOMES:

Students will:

- learn the survey of ancient Roman monuments and art.

- learn how to identify key moments and shifts in Roman art.

- understand the social, political, and religious value of monuments in the ancient world.

- gain experience in research and critical looking through the writing of a site-based paper assignment.

- develop critical thinking, reading, and observation skills.

TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
Roman Art and Architecture (World of Art)Mortimer WheelerThames and Hudson978-0500200216 xxxx     
The Oxford Archaeological Guide to RomeClaridge, AmandaOxford University Press, 2010xxxx     
REQUIRED RESERVED READING:
Book TitleAuthorPublisherISBN numberLibrary Call NumberComments
Writing Rome: Textual Approaches to the CityEdwards, CatharineCambridge: Cambridge University Press, 1996.xxxxPA6019.E39 
Approaching Late Antiquity: The Transformaiton from Early to Late EmpireMark Edwards, ed.Oxford University Press, 2004xxxxDG311 .A77 
Bathing in Public in the Roman WorldFagan, Garrett G.Ann Arbor: University of Michigan Press, 1999xxxxDG 97 F34 
A History of Roman ArtFred S. KleinerVictoria: Wadsworth, S. 2007xxxxxxxx 

RECOMMENDED RESERVED READING:
Book TitleAuthorPublisherISBN numberLibrary Call NumberComments
The urban image of Augustan RomeDiane FavroCambridge University Press, 1996xxxxPermanent Reserves DG69 .F38 
The Roman Nude: heroic portrait statuary 200 B.C.-A.D. 300Hallett, Christopher H.Oxford University Press, 2005xxxxNB1296.3 .H35 
The aesthetics of emulation in the visual arts of ancient RomeEllen PerryCambridge University Press, 2005xxxxNB115.P47 
Pliny on Art and Society: The Elder Pliny’s Chapters on the History of ArtIsager, JacobOdense: Odense University Press, 1991xxxxN5610.I82 
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
Attendance and Participation  15%
Mid-term Exam 20%
Paper Assignment (see Paper Prompt for details) 25%
Final Exam 30%
In-Class Writing Assignments 10%

-ASSESSMENT CRITERIA:

Assessment Guidelines for assigning main letter grades: A, B, C,D, and F.

A: Work of this quality directly addresses the question or problem raised and provides a coherent argument displaying an

extensiveknowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts

and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that

required for the course.

B: This is highly competent level of performance and directly addresses the question or problem raised.

There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect

the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer

from any major errors or omissions and provides evidence of reading beyond the required assignments.

C: This is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered

in the lectures and reference readings.

D: This level of performances demonstrates that the student lacks a coherent grasp of the material.

Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the

instructor that s/he should not fail.

F: This work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the

answer is irrelevant.


-ATTENDANCE REQUIREMENTS:

One unexcused absence is permitted (but highly discouraged) without grade penalty. You are still responsible for the content of that missed meeting, which may include a site-based writing assignment (10%). Three tardies count as one unexcused absence. Please note that being physically present in all class sesssions (or missing 1 session) will only result in a grade of B- for Participation/Attendance (15%). If you strive for a higher grade, you must participate in discussions.

Because this is an on-site class, students are expected to plan accordingly to arrive on time to class, wear the appropriate shoes and clothing for inclimate weather and dress appropriately for sacred spaces (knees and shoulders covered, and all parts in between!).

Please see the ATAC link below for directions on public transit to arrive.  http://www.atac.roma.it/

PLEASE arrive on time. Students who arrive late to class will have to find the group on their own, pay their own entrance to the museum, miss important information announced at the start of class, and/or possibly not be able to enter the museum due to group reservations.

Please refer to the university catalog for the attendance and absence policy.


ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

SessionSession FocusReading AssignmentOther AssignmentMeeting Place/Exam Dates
Lecture 1 - Sept. 6Syllabus, Introduction to course, and visit to Forum BoariumReading to be done before or after first meeting: Claridge, 2010, 39-60; 285-94. Edwards, 1996, Ch: 4, 69-95 (course post-it) JCU Campus, Lecture Hall, TBA
Lecture 2 - Sept 13Roman Forum, Pt. 1: The Republic: Iron Age Palatine settlement, Regia, Temple of Vesta, Temple of Castor and Pollux, Temple of Concordia, Temple of Saturn, Basilica Aemilia, Umbilicus Urbis Romae, Lapis Niger, Curia/Comitia/RostraClaridge 2010, 4-12; 69-77; 80-81; 83-84; 94-95; 105-111; Wheeler 1964, 190-93. Entrance to Palatine Hill, Via di Gregorio Magno, btw Colosseum and Circus Maximus
Lecture 3 - Friday, Sept 14 - Make-Up Day for Nov. 1Roman Forum, Pt. II: and Colosseum: Transition from Republican Period to Empire: Tabularium, Basilica Julia, Curia Julia, Rostra, Temple of Divine Caesar, Arch of Augustus, Arch of Titus, Basilica of Maxentius; Colosseum;“Roman Architectural Theory,” Oxford Art on-line (post-it). Claridge 2010, 92-93; 100- 03; 121-59; 312-19. Wheeler 1964, 110-124; Butler 2002, Intro, 1-3; and Ch 7, 103-23 (reserve). Recommended (reserve): Kleiner, 73; 175-76. Entrance to Roman Forum, at Largo Corrado Ricci, Via Cavour/Via dei Fori Imperiali
Lecture 4 - Sept 20Republican Urbs: Largo Argentina, Theater of Pompey, Temples of Jupiter Stator and Juno Sospita (Porticus of Octavia), Temple of Apollo Medicus Sosianus, Theater of MarcellusClaridge, 239-50; 253-56; 274-79; Recommended (reserve): Kleiner, Ch. 4: From Marcellus to Caesar, 47-58. Largo Argentina, at tower across from “Ducati Café”
Lecture 5 - Friday, Sept 21 - MAKE-UP day for Nov. 22Imperial Fora: Forum of Julius Caesar, Forum of Augustus, Temple of Peace, Forum of Nerva, Forum of Trajan, Column of TrajanPacker, James, “Report from Rome: The Imperial Fora, a Retrospective,” AJA, vol. 101, no. 2, esp pages 310-320, and 326-30 (post-it); Wheeler 1964, 172-81; Claridge 2010, 121-123; 161-96; 301-07; 312-19; Recommended (reserve): Kleiner, 58-59; 63-66; 126-37; 156-64; 237. Imperial Fora Visitor Center, Via dei Fori Imperiali, across from the church of SS. Cosma e Damiano
Lecture 6 - Sept 27The Late Empire: The Baths of CaracallaClaridge 2010, 357-65; Fagan 1999, Intro, 1-11; Ch 1: A Visit to the Baths with Martial, 12-39 (reserve). Recommended (reserve): Kleiner, 242-45. Outside Circo Massimo Metro stop
Lecture 7 - Oct 7MID-TERM EXAM  JCU Campus
Lecture 8 - Oct 11The Etruscans: Villa Giulia Museum of Etruscan ArtClaridge, 2010, 477-481; Recommended (reserve): Kleiner, Fred, 2007, Introduction, xxi-xlvii. Inside Porta del Popolo, then take tram together to museum (buy bus-tram ticket before)
Lecture 9 - Oct 18Museo Nazionale Romano: Palazzo Massimo: Hellenistic bronzes, the nude, the Roman "copy" after Greek originals, full-length portraits“The Nude,” Oxford Art on-line (post-it); “Wall painting,” Oxford Art on-line (post-it); Claridge 2010, 481-85; 391-95; Wheeler 1964, 182-89; Kleiner, Fred, 2007, 68-69; 74-75; 224-227; 284-86 (Reserve). Recommended (reserve): Gazda, ed. 2002, Intro. Hallett, Intro Entrance to Palazzo Massimo (btw Termini train station and Piazza della Repubblica)
Lecture 10 - Oct 25Capitoline Museums, pt. I: Roman PortraitsNicholas Penny, “Bust”, Oxford Art On-line (course post-it); Elizabeth Bartman, “Hair and the Artifice of Roman Female Adornment”, AJA, vol. 105, n. 1, Jan. 2001, esp pages 1-12 (course post-it); Recommended: Wheeler 1964, 159-63, 169-71. Top of Capitoline Hill, at equestrian of Marcus Aurelius
Nov. 1 - NO CLASS - Holiday    
Lecture 11 - Nov 8The Campus Martius: Baths of Agrippa, the Pantheon, Solarium Augusti, Ara Pacis Augustae, Mausoleum of AugustusJoost-Gaugier, Christiane L., “The Iconography of Sacred Space…Pantheon,” Artibus et Historiae, vol. 19, no. 38, 1998, esp pages 21-32 (post-it); Claridge 2010, 197-234; Wheeler 1964, 89-106; 163-67; Recommended (reserve) Diane Favro; Kleiner, Ch. 5, 61-77; 78-80; 181-83; 199-201. Steps of the church S. Maria sopra Minerva (behind Pantheon)
Lecture 12 - Nov 15Vatican Museums Klynne, Allan and Peter Liljenstolpe. “Where to Put Augustus? A Note on the Placement of the Prima Porta Statue,” AJPhil vol. 121, no. 1, Spring 2000, 121-28 (post-it); “Polykeitos,” Oxford Art on-line (post-it); Claridge 2010, 469-77; Recommended: Wren Christian, K. (2010). Empire Without End: Antiquities Collections in Renaissance Rome, c. 1350-1527. New Haven, Yale University Press, section: “Belvedere” (esp for Laokoon sculpture) (post-it). Entrance to Vatican Museums
Nov 22 - NO CLASS - HOLIDAY    
Lecture 13 - Nov 29Capitoline Museums, Pt. IIBartman, Elizabeth, “Eros’s Flame: Images of Sexy Boys in Roman Ideal Sculpture,” MAAR, vol. 1, 2002, esp pages 249-71 (post-it); Clardige 2010, 460-68; 486-87; Wheeler 1964, 204-12; Recommended (reserve): Marvin, in Gazda, ed. 2002; Perry; Gazda, ed. 2002, Intro. Top of Capitoline Hill, at equestrian of Marcus Aurelius
Lecture 14 - Dec 6The Late Empire and the Rise of Christianity: Arch of Constantine, S. Clemente, and S. Maria MaggioreClaridge 2010, 308-12; 319-23; Edwards, ed. 2004. Ch 11: Jas Elsner. “Late Antique Art: The Problem of the Concept and the Cumulative Aesthetic,” 271-309, esp. 277-80 and 288-93 (reserve); Recommended (reserve) Kleiner, 167-68; 291-301. Arch of Constantine, across from Colosseum