Tuesday, September 4
Introduction to the course
What is contemporary art?
Who is the contemporary artist?
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Thursday, September 6
The 1950s
Abstract Impressionism: Action Painting & Color Field
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Abstract Expressionism – p. 348-354
- Pollock – p. 355 – 359
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Tuesday, September 11
The 1950s
Pop Art
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- The Independent Group – p. 385-390
- John and Stella – p. 404-410
- American Pop Art – p. 445-449
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Thursday, September 13
NO CLASS –Make-up day on Friday, October 26
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Tuesday, September 18
The 1960s
Pop Art
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Oldenburg and Happenings – p. 450-455
- Warhol – p. 486-491
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Thursday, September 20
The 1960s
Andy Warhol's cinema
Reading:
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 11-25 (end of first paragraph on page 25)
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Friday, September 21 (make up day for Thursday, November 1)
The 1950s – 1960s
Nouveau Realisme – Kinetic Art – Op Art
Reading:
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 25 (beginning of second paragraph ) – 33 (end of second paragraph)
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Tuesday, September 25
The 1960s – 1970s
Minimal Art
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Judd, Morris, and Minimalism – p. 492-495
- Andre, Flavin, Lewitt – p. 470 - 474
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 43 (second paragraph) - 59
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Thursday, September 27
The 1960s – 1970s
Land Art
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Smithson and Entropy – p. 505-508
- Site Specific Art – p. 540 - 544
From: Ben Tufnell, Land Art, London: Tate Publishing, 2007
- Introduction – The New Landscape Art – p. 6-19
- Simple, Practical, Emotional. Quiet, Vigorous. The Art of Richard Long – p. 20-32
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 88 (beginning of second paragraph – 96 (end of first paragraph)
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Tuesday, October 2
The 1960s – 1970s
Arte Povera
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Arte Povera – p. 509-514
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 84 (beginning of second paragraph) – 88 (end of first paragraph)
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Thursday, October 4
The 1960s – 1970s
Conceptual Art
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Conceptual Art – p. 527 – 539
- Postminimalism and Process – p- 534-537
- Marcel Broodthaers – p. 534-537
- Documenta 5 – p. 555-558
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 61-84 (end of first paragraph)
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Tuesday, October 9
Mid term exams
*** 1st REVIEW DUE ***
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Thursday, October 11
The 1950s – 1970s
Performance Art: Gutai, Fluxus and Viennese Actionism
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Gutai – p. 373-378
- Fluxus – p. 456-463
- Viennese Actionism – p. 464-469
- Beuys – p. 480-485
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 100 (beginning of second paragraph - 108
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Friday, October 12
NO CLASS –Make-up day on Friday, October 26
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Tuesday, October 16
The 1950s – 1970s
Performance Art
Reading:
From: RoseLee Goldberg, Performance Art, New York, NY: Thames & Hudson, 2001
p. 128 – 132
p 144 – 171
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Thursday, October 18
Performance Art – 1970s – 1990s
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- American Performance Art – p. 565-569
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 100 (beginning of the last paragraph) – 108
From: RoseLee Goldberg, Performance Art, New York, NY: Thames & Hudson, 2001
- p. 128 – 132
- p 144 – 171
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Tuesday, October 23
The 1980s
Return to Painting: Transavanguardia / Neo-Expressionists / Graffit
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Richter and Kiefer – p. 612- 616
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 143 – 152 (end of second paragraph)
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Thursday, October 25
The YBA Generation and Video Art
Reading:
From; Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- Postminimalism revisted – p. 635-638
From: Gregor Muir, Lucky Kunst, The Story of YBA, London: Aurum Press Ltd, 2009
- Year Zero: Birth of the White Cube – p. 17-25
- Building One: A Career Decision – p. 25-34
- Founder Members: Hirst, Joplin and Saatchi – p. 35-42
- Icons: The Shock of the New – p. 43-47
- Penetration: The Emerging Scene – p. 49-56
- Closing Down: Recession – p. 59-71
- White Cube – p. 73-77
- Champagne Supernova: New Labour, Cool Britannia and Sensation – p. 195-205
*** 2nd REVIEW DUE ***
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Friday, October 26(make up day for Thursday September 13 and Friday, October 12)
Visit to MAXXI
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Tuesday, October 30
No Class – Make up day Friday, November 16
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Thursday, November 1
NO CLASS - Holiday
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Tuesday, November 6
The 1990s
Video Art
Focus on: Bill Viola / William Kentridge
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- The resurgence of drawing – p. 650- 653
From: Sylvia Martin, Uta Grosenick (edited by), Video Art, London: Taschen, 2006.
Pages tbc
Watching:
*Bill Viola, The Reflecting Pool (1979)
http://www.youtube.com/watch?v=D_urrt8X0l8&feature=related
*Bill Viola, The Greeting (1995)
http://www.youtube.com/watch?v=Dg0IyGUVXaQ
*Bill Viola, The Lovers (2005)
http://www.youtube.com/watch?v=SfnqQmmttxE&feature=related
*William Kentridge, Johannesburg (1989)
http://www.youtube.com/watch?v=CXxCknnNPOI&feature=fvst
*William Kentridge, Monument (1990)
http://www.youtube.com/watch?v=kSjqwzPjbe0
*William Kentridge, Mine (1991)
http://www.youtube.com/watch?v=w7WtFZKwdtc
*William Kentridge, Sobriety, Obesity and Growing Old (1991)
http://www.youtube.com/watch?v=sZIvwKtMzZ0
*William Kentridge, Felix in Exile (1994)
http://www.youtube.com/watch?v=pk5tPkqQoL0
*William Kentridge, History of the Main Complaint (1996)
http://www.youtube.com/watch?v=q1sPLXMg1BQ
*William Kentridge, Weighing and Wanting (1997)
http://www.youtube.com/watch?v=45rudITu8Zc
*William Kentridge, Stereoscope (1999)
http://www.ubu.com/film/kentridge_stereoscope.html
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Thursday, November 8
No Class – Make up day Friday, November 16
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Tuesday, November 13
The 1990s
Video Art
Focus on: Douglas Gordon / Matthew Barney / Pierre Huyghe
Reading:
From: Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, New York, NY: Thames & Hudson
- The projected image – p. 654-658
From: Michael Archer, Art Since 1960, New York, NY: Thames & Hudson, 2006
- p. 213 - 244
From: Sylvia Martin, Uta Grosenick (edited by), Video Art, London: Taschen, 2006
Pages tbc
Watching:
*Meet Douglas Gordon
http://www.youtube.com/watch?v=DXY99WS-Byo&feature=related
http://www.youtube.com/watch?v=SjYb6EN0v8w&feature=channel
* Matthew Barney
http://www.cremaster.net/
*** 3rd REVIEW DUE ***
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Thursday, November 15
Performance Art
Guest Lecture: to be confirmed
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Friday, November 16 (make up day for Tuesday October 30 and Thursday November 8)
Visit to MACRO
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Tuesday, November 20
Performance Art
Guest Lecture: to be confirmed
*** 4th REVIEW DUE ***
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Thursday, November 22
NO CLASS - Holiday
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Tuesday, November 27
Performance Art
Guest Lecture: to be confirmed
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Thursday, November 29
Performance Art
Guest Lecture: to be confirmed
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Tuesday, December 4
Course Recap
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Thursday, December 6
Course Recap
*** 5th REVIEW DUE ***
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* Alterations and/or additions to the schedule may take place. Programs will be confirmed during the course.
* Reading and watching indications will be given during the course.