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JOHN CABOT UNIVERSITY
COURSE CODE: "EN 285"
COURSE NAME: "Creative Writing and Literature: How to Read Like a Writer"
SEMESTER & YEAR:
Summer Session I 2012
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SYLLABUS
INSTRUCTOR:
Dews Carlos
EMAIL: [email protected]
HOURS:
MTWTH 14:00-16:00
TOTAL NO. OF CONTACT HOURS:
45
CREDITS:
3
PREREQUISITES:
Prerequisite: EN 110 with a grade of C or above
OFFICE HOURS:
By appointment.
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COURSE DESCRIPTION:
To supplement their traditional university study of composition and literary analysis, this course provides students with the opportunity to develop skills at reading literature as a source of help in improving their own writing. Designed primary for students interested in creative writing, this course focuses on the reading of literature from the point of view of the practice, or craft, of fiction writing.
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SUMMARY OF COURSE CONTENT:
Students will study Francine Prose’s Reading Like a Writer to develop their skills as readers of literary fiction with an eye to emulating the skills of accomplished writers. This course is based on the assumption that writers, out of necessity, read literature differently from critics. While critics, scholars, and students of literature typically read to understand or interpret a text, writers read with an eye to emulation of craft. Writers, to learn from their successful predecessors, read meticulously--letter by letter, word by word, sentence by sentence, paragraph by paragraph, line of dialogue by line of dialogue, page by page.
Promotional text that accompanied Francine Prose’s 2007 book Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them, the primary text for this course, summarized Prose’s aim in writing the book:
Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose. In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers—Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov—and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.
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LEARNING OUTCOMES:
Through the study of Francine Prose’s technique of slow, meticulous reading, students completing this course will have developed the reading skills necessary to learn how to improve their own creative writing by the analysis of literary fiction and be able to describe the unique stylistic and craft characteristics of the fiction they read.
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TEXTBOOK:
| Book Title | Author | Publisher | ISBN number | Library Call Number | Comments | Format | Local Bookstore | Online Purchase |
| Reading Like a Writer | Francine Prose | Harper Perennial | 978-0-06-077705-5 | | Students must have their own individual copy of this book by the second class meeting. | | | |
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REQUIRED RESERVED READING:
RECOMMENDED RESERVED READING:
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GRADING POLICY
-ASSESSMENT METHODS:
| Assignment | Guidelines | Weight |
| Participation | Students are require to participant in all classroom activities and complete all in-class exercises and assignments. | 10 |
| Presentations | Students are required to make presentations to the class during the term. | 25 |
| Mid-Term Paper | Students are required to complete a mid-term paper for the course. | 25 |
| Final Term Paper | Students are required to complete a final term paper. | 25 |
| Literary Events | In lieu of a final examination for the course, students are required to attend at least 4 events held by the Institute for Creative Writing and Literary Translation during the term. | 15 |
| Participation | Students are require to participant in all classroom activities and complete all in-class exercises and assignments. | 10 |
| Presentations | Students are required to make presentations to the class during the term. | 25 |
| Mid-Term Paper | Students are required to complete a mid-term paper for the course. | 25 |
| Final Term Paper | Students are required to complete a final term paper. | 25 |
| Literary Events | In lieu of a final examination for the course, students are required to attend at least 4 events held by the Institute for Creative Writing and Literary Translation during the term. | 15 |
-ASSESSMENT CRITERIA:
Grading Standards
The grade the instructor gives is a professional judgment of the quality of the student's submitted work and grades are based on shared assumptions and expectations. At the most basic level, the instructor expects that assignments will be submitted on time. Late submissions will not be graded and will receive a grade of F or 0. Submitted assignments are to be clearly focused and organized, with a discernible thesis statement. Generalizations and conclusions are to be adequately supported and, when appropriate, research documentation is to be well integrated and effectively presented. A formal writing style is required, along with proper grammar, punctuation, and spelling. It is also important that students and faculty have shared expectations regarding the grading of assignments.
The grade of A reflects excellence. The A paper offers a well-focused and organized discussion appropriate to the instructor's assignment, reflects critical use of relevant materials, and demonstrates effective and formal writing requirements. Papers involving research and outside sources must demonstrate outstanding efforts to identify varied pertinent sources, to employ those materials critically in the text of the papers, and to provide error-free citations of those resources.
The grade of B represents an effort beyond satisfactory and indicates the paper was completed in an appropriate and competent manner and, in general, demonstrates a strong attempt at original and critical analysis, writing, and research. The B paper may contain a number of minor errors of grammar or citation, and its thesis or its conclusions may be undeveloped or too weakly supported.
The grade of C indicates that the paper was done in a satisfactory or appropriate fashion and represents the average work expected for university courses. The presentation is organized around a central idea with arguments supported by relevant examples. The paper is structured into correctly written paragraphs and sentences. Although fulfilling the assignment, the C paper may exhibit one or more weaknesses including, but not limited to, errors of punctuation and grammar, imprecise or incorrect word use, inaccurate or uncritical use of materials, occasional inconsistency of organization or development, and lack of direct relevance of the selected research materials to the topic.
The grade of D indicates that the paper may have a poorly defined topic or thesis, lack clear focus or organization, and contain unsupported generalizations or conclusions. Research support is inadequate, not clearly relevant, or improperly documented. A less-than-minimal research effort is evident. The paper may also suffer from numerous or major formal writing errors.
The grade of F indicates that the paper is not clearly relevant to the assignment and that its topic and thesis are poorly focused or defined. The paper may display inadequate organization or development, unsupported generalizations, and nonstandard formal features (including language usage, sentence structure, paragraphing, and so on). Research support is absent, inadequate, or irrelevant to the assignment.
-ATTENDANCE REQUIREMENTS:
Students are required to
attend all scheduled class meetings. Students are allowed two absences during
the summer term. Each additional absence beyond
the two allowed, with the exception of absences excused by the Dean's office,
will result in the reduction in the final grade for the course by 5%. Students arriving to class after attendance
has been taken will be counted as late.
Two late arrivals will count as an absence. Please refer to the JCU
catalog for the attendance and absence policies.
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ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic
dishonesty will receive a failing grade on the work in which the dishonesty occurred.
In addition, acts of academic dishonesty, irrespective of the weight of the assignment,
may result in the student receiving a failing grade in the course. Instances of
academic dishonesty will be reported to the Dean of Academic Affairs. A student
who is reported twice for academic dishonesty is subject to summary dismissal from
the University. In such a case, the Academic Council will then make a recommendation
to the President, who will make the final decision.
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STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap.
Students with approved accommodations must inform their professors at the beginning
of the term. Please see the website for the complete policy.
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SCHEDULE
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SCHEDULE
Schedule
(Sample Only: A detailed schedule for the term will be provided in class).
Week One: Introduction, Close Reading, and Words
Course introduction, syllabus distribution.
Reading: Francine Prose, chapter one, “Close Reading,” and chapter two, “Words.”
Week Two: Sentences and Paragraphs
Reading: Francine Prose, chapter three, “Sentences,” chapter four, “Paragraphs.”
Week Three: Narration and Character
Reading: Francine Prose, chapter five, “Narration,” and chapter six, “Character.”
Assignment 1 due.
Week Four: Dialogue and Details
Reading: Francine Prose, chapter seven, “Dialogue,” and chapter eight, “Details.”
Week Five: Close Reading in Practice
Assignment 2 due.
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