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JOHN CABOT UNIVERSITY

COURSE CODE: "IT 302"
COURSE NAME: "Advanced Composition"
SEMESTER & YEAR: Spring Semester 2012
SYLLABUS

INSTRUCTOR: Galante Matilde
EMAIL: [email protected]
HOURS: TTH 14:30-15:45
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES: Prerequisite: Placement or IT 301 or permission of the instructor
OFFICE HOURS: 9:30-10:25 am

COURSE DESCRIPTION:

COURSE DESCRIPTION: 

This course consolidates student’s advanced level of proficiency with extensive

reading assignments and both spontaneous and reflective writing assignements on

such pratical and abstract topics as reviews of films and plays, literary texts, cultural

events and topics that will reflect various aspects of modern Italy. This material will

provide the basis for class discussions geared towards expanding vocabulary and

reviewing grammar. Students will become familiar with various styles and registers

and thereby learn distinguish between spoken and written usage
SUMMARY OF COURSE CONTENT:

                                                             

COURSE DESCRIPTION: 

This course consolidates student’s advanced level of proficiency with extensive

reading assignments and both spontaneous and reflective writing assignements on

such pratical and abstract topics as reviews of films and plays, literary texts, cultural

events and topics that will reflect various aspects of modern Italy. This material will

provide the basis for class discussions geared towards expanding vocabulary and

reviewing grammar. Students will become familiar with various styles and registers

and thereby learn distinguish between spoken and written usage,

LEARNING OUTCOMES:

LEARNING OUTCOMES:  Upon completing this course, students will possess the ability to:

  •  Apply the functions that are necessary for the comprehension of literary texts and production of creative texts.
  • Adequately use complex expressions and control linguistic operations in relation to their own personal and professional experience
  • Sustain communication by using, with suitable accurancy and confidence, connected discourse of paragraph lenght and substance.
  • Produce narratives, descriptions, and commentary on literary topics, treated both abstractcly as well as concretely.
  • Use new and specialized lexicon
  • Partecipate in and conduct discussions on literary cultural topics.
TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
Italian Grammar in practiceNocchi 978-88-86440899     
Strumenti per l'italianoSilvia Fogliato 978-88-201-3123-4     
Scontro di civiltà per un ascensore a Piazza VittorioAmara Lakhous 978-88-76418099     
REQUIRED RESERVED READING:
NONE

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
Class Participation 25%
Composition 30%
Midterm Exam 20%
Final Exam 25%

-ASSESSMENT CRITERIA:

Assessment Guidelines for assigning main letter grades: A, B, C,D, and F.

A:  Work of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensiveknowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course.

B:  This is highly competent level of performance and directly addresses the question or problem raised.

There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.

C:  This is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.

D:  This level of performances demonstrates that the student lacks a coherent grasp of the material.

Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.

F: This work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.


-ATTENDANCE REQUIREMENTS:

ATTENDANCE POLICY:    Regular attendance is an essential component of the class participation grade. Students are allowed three unexcused absences. Additional absences will lower the participation portion of the grade considerably. Should you miss a class, please contact another student to find out what was covered that day so that you will be prepared for the next class.

 

MAKE-UPS:                 The midterm and final exams cannot be made up

without approval from the Dean (please see John Cabot University Catalog p. 73).

 

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

THE INSTRUCTOR CANNOT AND WILL NOT MAKE CHANGES IN THE SCHEDULE TO ACCOMMODATE STUDENTS’ TRAVEL PLANS.  PLEASE CHECK THE DATES BELOW BEFORE BUYING TICKETS!!!!!

 

 

Argomenti

Grammatica

Produzione

1 settimana

17-19 gennaio

 

Conoscenza della classe. Introduzione al corso

Note sulla punteggiatura

Uso del vocabolario

La coerenza e la coesione

 

Test sui livelli di competenza grammaticale

Produzione libera

2 settimana

24-26 gennaio

Progettare e scrivere un testo

 

Revisione delle forme dei modi e dei tempi dei verbi

 

3 settimana

31 gennaio

2 febbraio

Come si imposta un riassunto

Il periodo: sua costruzione.

Frasi principali e subordinate. I connettivi testuali.

Lettura e sintesi di un brano

4 settimana

7-9 febbraio

 

Prendere appunti.

Revisione di un testo: correzione, semplificazione, scelta di un lessico appropriato, eliminazione delle ripetizioni

Le preposizioni e i verbi.

Le congiunzioni nelle frasi subordinate

Attività relativa agli appunti

5 settimana

14-16 febbraio

Il diario -  la biografia

 

Indicativo, congiuntivo, condizionale.

Produzione di una pagina di diario e di una biografia

6 settimana

21-23 febbraio

Analisi dei testi narrativi:

 la favola - la fiaba - il racconto

Indicativo congiuntivo. Condizionale

Periodo ipotetico

 Produzione di una favola, di una fiaba e di un racconto

7 settimana

27 febbraio

 1 marzo

 

MID-TERM 1 Marzo

 

 

8 settimana

6-8 marzo

 

Correzione del Mid-term

Riflessioni sulla lingua

Sinonimi-antonimi-etimologie

 

Esercizi sul lessico

9 settimana

13-15 marzo

 

La recensione.

Come si narra la trama di un film

Come si imposta la critica di un film

 

19-23 MARZO VACANZE DI PRIMAVERA

I tempi dei verbi nella narrazione.

Discorso diretto e indiretto

 

10 settimana

27-29 marzo

 

 

Visione di un film

 

 

11 settimana

3-5 aprile

Recensione scritta sul film visto.

Lavoro in classe.

 

 

12 settimana

10-12 aprile

Per un diario dello sguardo.

La descrizione di un oggetto, di un personaggio, di un paesaggio.

 

Il si passivante, impersonale, riflessivo

Una descrizione

13 settimana

17-19 aprile

Sintesi in classe del libro letto.

Vedi la terza settimana.

 

 

14 settim.

24-26

aprile

Come progettare un testo argomentativo

Uso dell’imperativo

Revisione dei pronomi

Stesura di un testo argomentativo

 

 

 

2-7 MAGGIO ESAMI FINALI