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JOHN CABOT UNIVERSITY

COURSE CODE: "EN 310"
COURSE NAME: "World Literature: Utopia and Dystopia"
SEMESTER & YEAR: Spring 2026
SYLLABUS

INSTRUCTOR: Alessandra Grego
EMAIL: [email protected]
HOURS: TTH 4:30 PM 5:45 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES: Prerequisite: EN 110 with a grade of C or above.
OFFICE HOURS:

COURSE DESCRIPTION:

World Literature includes literary works that transcend their cultural origins, becoming significant and influential across different cultures. Through the comparative analysis of a selection of texts, students will explore how language, tradition, and history shape recurring themes and forms. The topics covered may differ, and the literature will be read in English translation. This course is reading- and writing-intensive, with 300-level literature students required to complete 5,000 to 6,000 words of critical writing.

 

SUMMARY OF COURSE CONTENT:
This course investigates the tradition of utopia in literature from its origins to the rise of the dystopian novel, to reflect on the way writers have imagined political and social alternative environments and notice the progressive darkening of the form. We will investigate the reasons for the genre's new popularity reading a selection of 20th and 21st century dystopian novels by international authors, working on the relationship between literature and historical-political context, and the way in which art sublimates social anxieties. Trans-medial adaptations in film, comic books, and television shows will also be considered. 
LEARNING OUTCOMES:

Students will learn how to analyze a literary text critically, how to identify a genre and style of fiction, how to research a topic and write academic papers.

Students will learn how to

- evaluate the relationship between political and social anxieties and cultural products

- identify a literary theme and trace its evolution in time

- effectively compare texts 

- consider the influence of literature on other media and the way in which ideas are renegotiated at different periods

- consider  the reader-response to dystopian texts

- assess the influence of the publishing industry on the success of a genre and the domination of Western literary forms.

TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
Wind and Whirlwind: Utopian and Dystopian Themes in Literature and PhilosophyAgnes Heller and Riccardo MazzeoRodopi Brill 20199789004410275  Ebook  
Utopian and dystopian explorations of pandemics and ecological breakdown : entangled futuritiesHeather AlberroRoutledge 2025 9781003345770  Ebook  
Dystopian fiction east and west : universe of terror and trialErika Gottlieb McGill-Queen's University Press, 2001. 9780773569188  Ebook  
REQUIRED RESERVED READING:
NONE

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
Two research papers2000 word research papers45%
Midterm examClose reading and commentary of selected passages from the text20%
Final ExamClose reading and commentary of selected passages from the texts20%
Presentation 15%

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course.
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:
ATTENDANCE REQUIREMENTS AND EXAMINATION POLICY
You cannot make-up a major exam (midterm or final) without the permission of the Dean’s Office. The Dean’s Office will grant such permission only when the absence was caused by a serious impediment, such as a documented illness, hospitalization or death in the immediate family (in which you must attend the funeral) or other situations of similar gravity. Absences due to other meaningful conflicts, such as job interviews, family celebrations, travel difficulties, student misunderstandings or personal convenience, will not be excused. Students who will be absent from a major exam must notify the Dean’s Office prior to that exam. Absences from class due to the observance of a religious holiday will normally be excused. Individual students who will have to miss class to observe a religious holiday should notify the instructor by the end of the Add/Drop period to make prior arrangements for making up any work that will be missed.
ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

 


     
       
       
       
     

week 1

Introduction to the course. Utopia and Dystopia, literal meanings, connotations and cultural tradition.

Start reading Kafka's "The Trial"

Week 2

Franz Kafka - The Trial.

Kafka's "The Trial"

Week 3

Bureaucracy and legislation as systems of state control

 

Brown, Darryl K. “What Can Kafka Tell Us About American Criminal Justice?”Texas Law Review, vol. 93, no. 2, pp. 487–503.

Week 4

Capitalism, class and popular culture

Huxley, Brave New World (1932)

Week 5

Brave New World continued

Week 6

Against totalitarianism: Big Brother is watching you

Orwell, Nineteen Eighty-Four (1948)

Week 7

Nineteen Eighty-Four continued

1st Home Paper Due

Week 8

The Metaphor of Contagion

Saramago, Blindness (1995)

Week 10

Blindness continued.

Research Foucault: Pestilence and contagion as a source of social control

Week 10

Ecocrisis Octavia Butler, The Parable of the Sower (1993)

2nd Home Paper due

Week 11

The Parable of the Sower continued

Reserach ecocrisis theory

Week 12

  The problem of reproduction Ishiguro, Never Let Me Go (2005)  Research artificial bodies and human consciousness

Week 13

   Never Let Me Go continued  

Week 14

 

Week 15