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JOHN CABOT UNIVERSITY

COURSE CODE: "CW 356"
COURSE NAME: "Creative Writing Workshop: Writing the Eternal City"
SEMESTER & YEAR: Summer Session I 2024
SYLLABUS

INSTRUCTOR: Allison Grimaldi Donahue
EMAIL: [email protected]
HOURS: MTWTH 11:10 AM 1:00 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES: Prerequisite: EN 103 or 105 with grade of C or above
OFFICE HOURS:

COURSE DESCRIPTION:
This interdisciplinary writing workshop employs the city of Rome as its muse and offers instruction in several genres of creative writing. By examining a variety of works inspired by the Eternal City, students will learn how to evaluate literature in light of an aesthetic and historic precedent, as well as participate in the long tradition of international writers who have recreated Rome on the page. The course will also problematize Rome, exploring the ancient city’s contemporary contradictions and complexities and the way writers both perpetuate and dismantle certain myths, such as the illusory La Dolce Vita. Writing workshops will acquaint students with the techniques and tools used to critique and incorporate critical feedback into their own revision process. Through studied writing practice and the examination of the Roman setting as a vital literary component, students will generate a final portfolio of textual interpretations in response to the Eternal City.
SUMMARY OF COURSE CONTENT:
This interdisciplinary writing workshop employs the city of Rome as its muse and offers instruction in several genres of creative writing. By examining a variety of works inspired by the Eternal City, students will learn how to evaluate literature in light of an aesthetic and historic precedent, as well as participate in the long tradition of international writers who have recreated Rome on the page. The course will also problematize Rome, exploring the ancient city’s contemporary contradictions and complexities and the way writers both perpetuate and dismantle certain myths, such as the illusory La Dolce Vita. Writing workshops will acquaint students with the techniques and tools used to critique and incorporate critical feedback into their own revision process. Through studied writing practice and the examination of the Roman setting as a vital literary component, students will generate a final portfolio of textual interpretations in response to the Eternal City.
LEARNING OUTCOMES:
This interdisciplinary writing workshop employs the city of Rome as its muse and offers instruction in several genres of creative writing. By examining a variety of works inspired by the Eternal City, students will learn how to evaluate literature in light of an aesthetic and historic precedent, as well as participate in the long tradition of international writers who have recreated Rome on the page. The course will also problematize Rome, exploring the ancient city’s contemporary contradictions and complexities and the way writers both perpetuate and dismantle certain myths, such as the illusory La Dolce Vita. Writing workshops will acquaint students with the techniques and tools used to critique and incorporate critical feedback into their own revision process. Through studied writing practice and the examination of the Roman setting as a vital literary component, students will generate a final portfolio of textual interpretations in response to the Eternal City.
TEXTBOOK:
NONE
REQUIRED RESERVED READING:
NONE

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
see belowsee below 

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course.
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:
This interdisciplinary writing workshop employs the city of Rome as its muse and offers instruction in several genres of creative writing. By examining a variety of works inspired by the Eternal City, students will learn how to evaluate literature in light of an aesthetic and historic precedent, as well as participate in the long tradition of international writers who have recreated Rome on the page. The course will also problematize Rome, exploring the ancient city’s contemporary contradictions and complexities and the way writers both perpetuate and dismantle certain myths, such as the illusory La Dolce Vita. Writing workshops will acquaint students with the techniques and tools used to critique and incorporate critical feedback into their own revision process. Through studied writing practice and the examination of the Roman setting as a vital literary component, students will generate a final portfolio of textual interpretations in response to the Eternal City.
ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

 



 

JOHN CABOT UNIVERSITY

COURSE CODE: "CW 356"
COURSE NAME: "Creative Writing Workshop: Writing the Eternal City"
SEMESTER & YEAR: Summer 2021

SYLLABUS

INSTRUCTOR: Allison Grimaldi Donahue
EMAIL: [email protected]
HOURS: MWTTH (break in middle) 11:10-13:00
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES: Prerequisite: EN 110 with a grade of C or above
OFFICE HOURS:


 

 

 

 

 

COURSE DESCRIPTION:
This interdisciplinary writing workshop employs the city of Rome as its muse and offers instruction in several genres of creative writing. By examining a variety of works inspired by the Eternal City, students will learn how to evaluate literature in light of an aesthetic and historic precedent, as well as participate in the long tradition of international writers who have recreated Rome on the page. The course will also problematize Rome, exploring the ancient city’s contemporary contradictions and complexities and the way writers both perpetuate and dismantle certain myths, such as the illusory idea of la dolce vita. Writing workshops will acquaint students with the techniques and tools used to critique and incorporate critical feedback into their own revision process. Through studied writing practice and the examination of the Roman setting as a vital literary component, students will generate a final portfolio of textual interpretations in response to the Eternal City.

SUMMARY OF COURSE CONTENT:
Students will engage in studied writing practice and keep a journal in which they will document the city of Rome, so they may later shape entries into more substantive, polished work, regardless of genre.The course will move between writing workshops, traditional lectures, discussions of the assigned readings, student presentations of journal assignments, and in-class writing. Some meetings will incorporate a field trip or site visit; some assignments will require outings within the city of Rome to be made during the student’s own time.Readings will correspond to the specific genres and the assignments connected to them. The final portfolio will include a combination of the following forms: poetry, fiction, and creative nonfiction such as diary, memoir, personal essays, and travel writing.Born of the philosophy that all writing benefits from careful critique and thoughtful revision, the workshops will aid students in the development of critical thinking and editorial skills, helping to foster an aesthetic sensibility about their own writing, the writing of others, and ultimately a more thorough understanding of several genres encompassed by the term “creative writing.”

LEARNING OUTCOMES:
Students completing this workshop will have spent an entire semester exploring the rich literary tradition inspired by the city of Rome and they will have featured Rome in their own writing, whether fiction, nonfiction, or poetry. They will be familiar with the writing techniques employed when producing works within various genres of creative writing and they will have gained experience through generating a portfolio of their own work. Lastly, they will have acquired the editorial skills necessary to offer critique and to self-edit, and taken their own work through various stages of revision.

TEXTBOOK:

All to be provided in a reader

 

 

REQUIRED RESERVED READING:

NONE


RECOMMENDED RESERVED READING:

NONE

 

 

GRADING POLICY
-ASSESSMENT METHODS:

Assignment

Guidelines

Weight

Conscientiousness of in-and-out of class workshop sessions

Students will provide copies for their colleagues and be required to give both written and oral feedback to their peers during the workshops.

15%

Conscientiousness of self-editing

Students are required to revise their work over the course of several drafts and to include a process analysis for each piece, detailing the editing process.

15%

 

Assignments will take the form of written responses to readings & assigned outings and other homework to be done in the journal (or sketchbook). Writing assignments will include a combination of microfiction, short stories, creative nonfiction sketches, longer reflective essays or memoir-styled pieces, and two or more poems

10%

Final Portfolio

The Final Portfolio is the sum total of the student's work produced over the semester. The portfolios should contain polished revisions of each of the works along with a process analysis. Detailed portfolio guidelines will be provided in class.

40%

Homework, Written Work, Assignments, In Class Presentations

Homework assignments will vary, but are often written responses to the readings and/or responses to creative writing prompts.

20%


-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:
Attendance Requirements:students are required to attend all scheduled class meetings and to participate in all classroom activities. In addition to this weighting of attendance, students are allowed only two absences (no questions asked, no excuses needed). However, each additional absence beyond the two allowed will result in the significant reduction in the final grade for the course. Students with more than five absences will fail the course. Student arriving at class after the class attendance has been taken will be counted as absent. Please refer to the university catalog for the attendance and absence policy.

 

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.

STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

 

 

 

SCHEDULE

 

NB Students are required to attend at least 3 of the Summer Creative Writing Institute Evening Readings-- attendance will be checked and considered in final grade

 

Note: This is a facsimile of the actual schedule; the class calendar of assignments with dates and specific deadlines will be handed out at the beginning of the term and be updated on Moodle daily.

Date & Topic Covered

Sketchbook Outings, Readings & Assignments

Week One

excerpts from

Natalia Ginzburg:

The Little Virtues

 

Discovering the City Through Writing: In this first week we will examine Ginzburg’s way of learning through writing and try it on our own. Students will be asked to find elements of Rome that they find curious or mysterious, whether they are lifelong residents of the city or they have just arrived! Students will work on very short (like Ginzburg’s) personal essays about Rome, as well as, literature, politics, relationships, and how they play out in the streets.

Week Two:

The Streets with Pasolini

Collected Poems

(handouts to be provided)

 

This week focuses on the lyric of the streets. Students will read Pasolini’s poetry as well as watch a film or two of his or others in class. We will visit the neighborhoods he frequented, listen for the voices, for the troubadours of Romanesco and work on writing poetry that is of the moment and of the people, attempting to capture the moods, tones, echoes, and sensations of Rome.

Week Three:

Igiaba Scego, Ariella Aisha Azoulay

 

During our third week of class we will be considering Rome today, the people, the scenes, the scents, the chaos, and the calm. We will consider, Italy’s and Rome’s future and reckon with its past. Students will write both fiction and non-fiction this week, examining their notions of modernity, multiculturalism, and European-ness through characterizations, microfictions, and story-telling.

Week 4:

Writing with the scenery

This week we will focus on ekphrastic writing in the largest sense. Working from images of various sorts students will try out prose and poetic forms and also work with some artists along the way.

Week 5:

Editing and reading

This will be a revision week. Students will bring in one or two texts to work on with their peers for a final (public!) reading.