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JOHN CABOT UNIVERSITY

COURSE CODE: "CL 260-1"
COURSE NAME: "Classical Mythology"
SEMESTER & YEAR: Spring 2024
SYLLABUS

INSTRUCTOR: Emily Hurt
EMAIL: [email protected]
HOURS: TTH 10:00 AM 11:15 AM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES:
OFFICE HOURS: by appointment

COURSE DESCRIPTION:
The course examines the principal myths of Classical Greece and Rome, with some reference to their evolution from earlier local and Mediterranean legends, deities and religions. The importance of these myths in the literature and art of the Western World will be discussed.
SUMMARY OF COURSE CONTENT:

This course is a survey of Classical mythology. It follows the development of the fantastical stories of gods, goddesses, heroes, and extraordinary mortals from the Bronze Age to Late Antiquity. Our journey takes us across the Mediterranean, from the cities of Mesopotamia to the archaic sanctuaries of the Greek islands, to the hills of Rome. Ancient societies developed their myths to explain the world around them, everything from natural phenomena to human emotions.  Because of where and how myths were told, this class also serves as a general introduction to life in the ancient Mediterranean where myth  formed a common language among diverse communities. They were the means by which people understood themselves, their communities, their histories, their neighbors, and their place in the broader world. Myths were recited at festivals, portrayed in plays, they provided the basis for religious life and were used to justify war and support political action. We will discuss the historical context in which these myths developed, how they spread, and how they were portrayed in literature, ritual, and visual art. We will read texts (in translation) from across the ancient world and develop a general familiarity with the basic themes, settings, and characters of myth as well as the skills to read these myths critically and understand their origins and development over time. 

 

LEARNING OUTCOMES:

 Name the main characters of Classical mythology and identify them by their primary attributes

 Have a basic understanding of the broad contours of the history of the ancient Mediterranean

Be familiar with the most important cults, festivals, and cult sites of the ancient Aegean 

Understand the connections and differences between Greek and Roman myths

Be able to conduct critical analysis of mythical themes in both literature and visual art 

Understand the connections between myth and society in the ancient world


TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
Classical MythBarry PowellOxford University PressISBN: 9780197527986     
REQUIRED RESERVED READING:
Book TitleAuthorPublisherISBN numberLibrary Call NumberComments
The AeneidSasha Bartsch Penguin Random HouseISBN: 9781984854124  
Works and Days & TheogonyM.L.WestOxford9780199538317  
The OdysseyEmily WilsonW W Norton0393356256 required reading, recommended translation
The IliadEmily WilsonW W Norton & Co1324001801 required reading, recommended translation
Euripides IIDavide Grene and Richard LattimoreUniversity of Chicago PressISBN: 9780226308784 Iphigenia in Tauris The Trojan Women required reading, recommended translation
Euripides VDavide Grene and Richard LattimoreUniversity of Chicago Press ISBN: 9780226308982 The Bacchae required reading, recommended translation
Aeschylus IIDavid Grene and Richard LattimoreUniversity of Chicago PressISBN: 9780226311470 required reading, recommended translation
Sophocles IDavide Grene and Richard LAttimoreUniversity of Chicago PressISBN: 9780226311517 Oedipus the King required reading, recommended translation
Euripides IDavid Grene and Richard LattimoreUniversity of Chicago PressISBN: 9780226308807 Medea required reading, recommended translation

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
Participation You are expected to come to class having read the assignments and prepared to participate in daily discussion.15
3-5 page response paper Choose an object (statue, fresco, frieze) on display in a museum in the city of Rome that features one of the gods or heroes that we have discussed in class. Write a 3-5 page response that includes: 1) a detailed description reflecting your close observations of the object 2) the provenance of the object (where and when it was found) 3) the historical context of the object 4) an analysis of the myth that the object represents/is related to that cites at least two primary (texts or other objects) and one secondary source. You will present your work to the class in week 14.20
5-10 minute presentation Prepare a presentation on a topic (chosen from provided list) that goes beyond what we learned in class. It is your job to team teach the class for ten minutes. Research your assigned myth and be sure to provide: 1) historical context 2) citations from primary sources 3) visual material. 10
Group Presentation-The Oresteia Each student will do a careful reading of an assigned play from Aeschylus’s Oresteia: Agamemnon,The Libation Bearers, or The Eumenides. In groups, prepares a 15 minute presentation to the class. Presentations should include a detailed plot summary, an art historical and archeological interpretation of the play (with visuals), and identification of the main themes and the main elements of myth. 10
Myths reimagined-Response paperChoose a myth-inspired modern novel or film/play. Write a 5-7 page paper tracing the development of the myth from its historical origins, its retellings in antiquity and to the modern day.25
Midterm Exam 20

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course.
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:

ATTENDANCE REQUIREMENTS AND EXAMINATION POLICY

You are required to attend class and have prepared the assigned reading in advance. One absence is permitted without question. Subsequent missed classes require a Dean's excuse. Missed courses without a Dean's excuse will result in deductions from the participation grade.

You cannot make-up a major exam (midterm or final) without the permission of the Dean’s Office. The Dean’s Office will grant such permission only when the absence was caused by a serious impediment, such as a documented illness, hospitalization or death in the immediate family (in which you must attend the funeral) or other situations of similar gravity. Absences due to other meaningful conflicts, such as job interviews, family celebrations, travel difficulties, student misunderstandings or personal convenience, will not be excused. Students who will be absent from a major exam must notify the Dean’s Office prior to that exam. Absences from class due to the observance of a religious holiday will normally be excused. Individual students who will have to miss class to observe a religious holiday should notify the instructor by the end of the Add/Drop period to make prior arrangements for making up any work that will be missed. The final exam period runs until ____________

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

Week 1

Class 1: Introduction to class and expectations, Introduction to myth

Readings:

CM: “The Nature of Myth” 1-16

 

Class 2: The Cultural Context of Classical Myth

Readings:

CM: “The Cultural Context of Classical Myth” and "The Development of Classical Myth” 17-70 

Hesiod, Works and Days, Lines 212-830

 

Week 2

Class 1: Origins: Myths of Creation

Readings:

CM: “Myths of Creation: The Rise of Zeus” 72-102

Hesiod, Theogony 

Enuma Elish (selections)

 

Class 2: Origins: Prometheus, Pandora, and the flood

Readings:

            CM “Myths of Creation: The Origin of Mortals: 103-128

      Hesiod, Works and Days, lines 1-212

    Hesiod, Theogony, revisit 505-620

            Ovid, Metamorphoses 1.68-462

            Genesis 6-9

Week 3 

Class 1: The Olympians and lesser divinities Zeus 

Readings:

    Pausanias: Olympia 5.7.6-5.15.12

            CM: “Myths of the Olympian Gods: Zeus and Hera” 129-153

 

Class 2: Hera, Poseidon 

Readings:

            Pausanias: The Isthmus 2.1.4-2.2.2

            CM “Myths of the Olympian Gods” 151-21

Week 4

Class 1: Apollo, Hermes

Readings:

    Homeric Hymn to Apollo

            Homeric Hymn to Hermes

    CM: “The Great God Apollo” 154-172; Hermes, God of Wayfarers” 173-190

 Class 2: Diana/Artemis

Readings:

        Euripides, Iphigenia in Tauris

Pausanias 7.18-19

CM: “Artemis, Mistress of Animals” 212-222

 

Week 5: 

Class 1: Dionysius/Bacchus/Liber

Readings: 

    Euripides, the Bacchae

            Homeric Hymn to Dionysus

            CM: “Myths of Fertility: Dionysius” 261-290

         

Class 2: Demeter/Ceres/Libera and Myths of Fertility

Readings:

Homeric hymn to Demeter

CM: Myths of Fertility: Demeter and the Great Goddess” 231-260

 

Week 6

Class 1: Athena/Minerva and Athens

Readings:

            CM: “Athena: Mistress of the City” 222-230, “

            Niels, “The Panathensaia: An Introduction” 8-27

 

Class 2: Aphrodite/Venus/Astart and Ares/Mars

Readings:

            Homeric Hymn to Aphrodites

            Ovid, Metamorphosis X (second half)

   CM “Aphrodite, Goddess of Sexual Love” 198-212

Week 6: 

Class 1: The afterlife and the mysteries

Readings:

Aeneid Book 6

Odyssey book 11

Ovid, Metamorphosis X (first half)

CM: “Myths of Death: Encounters with the Underworld” 291-320

 

Class 2: Midterm Exam

 

Week 8

Class 1: Heroes in Context: Gilgamesh and Herakles

Readings:

            CM: “Introduction to Heroic Myth” 323-336 and “Herakles” 357-392

            The Epic of Gilgamesh (selections)

 

Class 2: Theseus, Perseus myths of crete, argos, and athens

Readings:

CM: “Theseus and the Myths of Athens” 393-423

 

Week 9 

 

Class 1: Heroes: Jason, the Argonauts, and Medea,

Readings:

Argonautica Book I

        CM: “Jason and the Myths of Iolcus and Calydon” 473-508

Euripides: Medea

 

Class 2: The Theban cycle

Readings:

Sophocles: Oedipus the King

CM: “Oedipus and the Myths of Thebes”446-472

 

Week 10

Class 1: The Trojan War

Readings: 

Iliad Books 1-4

CM: “The Trojan War: The House of Atreus, the Anger of Achilles” 508-544

 

 Class 2: The Fall of Troy

Readings:

Illiad 16-24

Euripides, Trojan Women

CM: “The Trojan War: The Fall of Troy” 545-558

 

Week 11

Class 1: The Nostoi: Curse of the House Atreus

Readings: 

CM: The Trojan War” 558-571

 

Class 2: Curse of House Atreus Cont.

Readings:

            Aeschylus: The Oresteia (group project) 

 

Week 12

Class 2: The Nostoi: Odysseus

Readings:

Odyssey Books 1-9

CM: “the Return of Odysseus” 572-602

 

Class 2: The Nostoi: Odysseus and Hesperia

Reading:

Malkin (1998) chapter 1: Context and Concepts,  chapter 6: Odysseus and Italy

        The Odyssey books 10-16, 24

 

Week 13: 

Class 1: The Nostoi: Aeneas

Reading:

Aeneid Books 1-6

CM: “Roman Myth” 605-630

 

Class 2: Roman myth and exemplary heroes

Readings:

Aeneid, Books 7-12

CM: “Roman Myth” 631-652

 

Week 14: 

Class 1: Roman Interpretations and Cyclical time

Readings:

Ovid, Metamorphoses 4-6

Vergil, Eclogue 4

 

Class 2: Myths in Roman Art