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JOHN CABOT UNIVERSITY

COURSE CODE: "AH 265"
COURSE NAME: "Islamic Art and Architecture: AD 650-1250"
SEMESTER & YEAR: Spring 2024
SYLLABUS

INSTRUCTOR: Nicole Constantina Paxton
EMAIL: [email protected]
HOURS: MW 1:30 PM 2:45 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES:
OFFICE HOURS:

COURSE DESCRIPTION:

This course surveys the art and architecture of the Islamic world from the 7th to the 13th centuries. The phenomenal rise and establishment of Islamic civilization in three continents- Asia, Africa and Europe- in this period is studied through monumental religious and secular architecture and its applied decoration from mosaics to stucco and wall paintings and through painted ceramics, carved wood and ivories, metalwork, illuminated manuscripts, and embroidered and woven textiles. The form and function of buildings and artifacts, their changing patterns of use and their evolving meanings are examined in their original social, political, religious, and cultural contexts. One of the primary aims is to become familiar with the regional diversity of medieval Islamic visual culture and so also to consider what issues are involved in studying a tradition that flourished in several geographical areas, encompassing a variety of cultures and national and ethnic identities. Two special areas of focus are the urban design and architecture of Islamic medieval centers such as Cairo and Islamic court culture which, often centered around royal palaces such as Madinat al-Zahra in Spain, produced some of the most outstanding luxury arts of the Middle Ages.

Satisfies "the Medieval World" core course requirement for Art History majors

SUMMARY OF COURSE CONTENT:

This course surveys the art and architecture of the Islamic world from the 7th to the 13th centuries. The phenomenal rise and establishment of Islamic civilization in three continents- Asia, Africa and Europe- in this period is studied through monumental religious and secular architecture and its applied decoration from mosaics to stucco and wall paintings and through painted ceramics, carved wood and ivories, metalwork, illuminated manuscripts, and embroidered and woven textiles. The form and function of buildings and artifacts, their changing patterns of use and their evolving meanings are examined in their original social, political, religious, and cultural contexts. One of the primary aims is to become familiar with the regional diversity of medieval Islamic visual culture and so also to consider what issues are involved in studying a tradition that flourished in several geographical areas, encompassing a variety of cultures and national and ethnic identities. Two special areas of focus are the urban design and architecture of Islamic medieval centers such as Cairo and Islamic court culture which, often centered around royal palaces such as Madinat al-Zahra in Spain, produced some of the most outstanding luxury arts of the Middle Ages.

Satisfies "the Medieval World" core course requirement for Art History majors

LEARNING OUTCOMES:

- Recognize key works of Islamic art and architecture.

- Analyze the visual material within its social and historical contexts.

- Acquire an understanding of the chronology of important historical events.

- Demonstrate awareness of significant primary source texts.

- Evaluate secondary literature critically and individuate various scholarly approaches.

- Identify and interpret key themes, and how these relate to individual works of art.

- Cultivate oral communication skills by discussing art in situ and within the classroom.

- Develop writing skills that include: the formation of clear arguments; effective organization and structuring of material; visual analysis; and the incorporation and evaluation of primary and secondary sources.

TEXTBOOK:
NONE
REQUIRED RESERVED READING:
Book TitleAuthorPublisherISBN numberLibrary Call NumberComments
The art and architecture of Islam 1250-1800Sheila Blair, Jonathan Bloom, Richard Ettinghausen Yale University Press0300058888 N6260 .B56 
Islamic art and architecture 650-1250Richard Ettinghausen, Oleg Grabar, Marilyn JenkinsYale University Press0300088671 N6260 .E79 
Islamic art and architectureRobert HillenbrandThames and Hudson0500203059N6260 .H55 1999 

RECOMMENDED RESERVED READING:
Book TitleAuthorPublisherISBN numberLibrary Call NumberComments
Islamic Art & Visual Culture: An Anthology of SourcesD. Fairchild Ruggles, ed.Wiley-Blackwell1405154012  
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
ParticipationOn-time attendance at all class sessions; careful study of assigned readings; contribution to discussions10%
Short PaperShort comparative visual analysis paper (~750 words)10%
Midterm ExamImage comparisons20%
Research Paper ProposalProposal (~250–500 words) & provisional bibliography10%
Research PaperThesis-driven research project (~2000 words) 25%
Final ExamImage comparisons & short essay questions25%

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course.
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:

You cannot make-up a major exam (midterm or final) without the permission of the Dean’s Office. The Dean’s Office will grant such permission only when the absence was caused by a serious impediment, such as a documented illness, hospitalization or death in the immediate family (in which you must attend the funeral) or other situations of similar gravity. Absences due to other meaningful conflicts, such as job interviews, family celebrations, travel difficulties, student misunderstandings or personal convenience, will not be excused. Students who will be absent from a major exam must notify the Dean’s Office prior to that exam. Absences from class due to the observance of a religious holiday will normally be excused. Individual students who will have to miss class to observe a religious holiday should notify the instructor by the end of the Add/Drop period to make prior arrangements for making up any work that will be missed.

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE