The course is structured with a fundamentally chronological approach. This provides a framing ‘scaffold’ to facilitate careful engagement with material across a considerable time-span, and establishes a ‘global Mediterranean’ approach as investigative practice.
This allows the course to ask fundamental questions regarding characteristics, contacts and interchanges of the Latin West, Byzantium, and Islamic worlds over time, as well as to engage with the abundance of theoretical approaches and critical debates that are essential to understanding artistic practices of the medieval worlds.
The course is organized in four overarching issues, each of which frame a different way to approach the visual arts: Art in context, Media and display, Art as local and global, and Viewing as process. As well as providing avenues of in-depth analysis pertinent to the works examined, these issues engage with the theoretical approaches and methods that characterize the making and analysis of works in this period.
Coursework assignments assist in the analysis and research on works. However, their primary objective is the development of skills essential for working with visual material through lenses such as objects, space, viewership, participation, criticism, and reception, and across a variety of media and display conditions. The requirements of formal analysis, of contextual and issue-based analysis, of research, and the relationship between these are addressed in assignments that progressively increase in complexity and train students in the attainment and effective application of art-historical techniques and tools.