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JOHN CABOT UNIVERSITY

COURSE CODE: "AS 101-5"
COURSE NAME: "Introduction to Graphic Design"
SEMESTER & YEAR: Spring 2024
SYLLABUS

INSTRUCTOR: Catherine Biocca
EMAIL: [email protected]
HOURS: T3:30 PM 6:15 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES:
OFFICE HOURS:

COURSE DESCRIPTION:
This course introduces the fundamental principles of four-dimensional art and design through a survey of concepts, techniques, and technological practices. It introduces students to formal, narrative and alternative concepts for creative practice in a time-based context. The course covers the fundamental principles of space, moving image, sound design and interactivity. Throughout the course, students will learn how to organize information effectively in the dimensions of time and space. They will engage in creating, manipulating, animating, choreographing, and distributing digital and analogue content across multiple platforms and outputs. Emphasis is placed on critical thinking and creative problem-solving, focusing on areas particularly relevant to four-dimensional art and design.
SUMMARY OF COURSE CONTENT:

Students will be introduced to tools, materials and processes that will enable them to develop basic competencies in producing and using moving image and sound, within a spatial context,  for a variety of narrative purposes. Topics such as objects and space, sound and time and the moving image will be explored through prompts and projects.

The course begins with understanding the construction of the illusion of movement using sequences of still images and progresses to encompass different aspects of filming, editing sound and moving images, transitioning from linear to interactive formats within a space.

Throughout the course, students engage in critical thinking and creative problem-solving exercises, as well as hands-on studio work. They learn to analyze and interpret the relationship between time, space, and meaning in art, and to effectively communicate their ideas through time-based media.

 

Required course materials/study visits and expected expenditure for the students

The course requires students to be in possession of a computer and a camera/phone-camera in order to be able to participate in the course.

The course requires students to buy or pay for mandatory elements (approximately 50 Euros).

 

 

LEARNING OUTCOMES:

 Learning Outcomes:

 

- Demonstrate the ability to engage with a variety of techniques and materials in order to explore creativity and visual expression creating spacial assemblages of manipulated moving images, sound and text.

- Demonstrate technical competence in the knowledge of techniques and material and attest an ability to coordinate them creatively and sensitively.

- Demonstrate an ability to analyze and evaluate both the individual creative process and, importantly, the work and practice of other professional artists of the field.

 
TEXTBOOK:
NONE
REQUIRED RESERVED READING:
NONE

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
 Student achievement in this course will be measured using multiple assessment tools including but not limited to: • Portfolios: digital, video and/or web (30%) Students will be asked to put together a portfolio of works and projects achieved during the semester. weekly assignments (30%) Students will have weekly assignments that will be evaluated and part of the final grading process. Midterm classroom critique (30%) During this group critique students will learn to formulate constructive critique and to express their aesthetical considerations. This process will be part of the final grade evaluation. class attendance and participation (10 %) Students are asked to attend class regularly to be able to follow up with the course program. 

-ASSESSMENT CRITERIA:
AWork of this quality shows excellent mastery of the course content along with exceptional levels of technical skill, artistic awareness, originality, resourcefulness, commitment, quantity of work and improvement. There has been excellent collaboration and leadership in group projects, and there have been no attendance problems.
BA highly competent level of performance with work that directly addresses the content of the course, with a good quantity of work produced.
CAn acceptable level of performance: the work shows awareness of the course content, but is very limited in quantity, quality, commitment and skill.
DThe student lacks a coherent grasp of the course material and has failed to produce much work.
FNegligent in attendance, academic honesty, engagement with the course content, or production of work.

-ATTENDANCE REQUIREMENTS:
ATTENDANCE REQUIREMENTS AND EXAMINATION POLICY
You cannot make-up a major exam (midterm or final) without the permission of the Dean’s Office. The Dean’s Office will grant such permission only when the absence was caused by a serious impediment, such as a documented illness, hospitalization or death in the immediate family (in which you must attend the funeral) or other situations of similar gravity. Absences due to other meaningful conflicts, such as job interviews, family celebrations, travel difficulties, student misunderstandings or personal convenience, will not be excused. Students who will be absent from a major exam must notify the Dean’s Office prior to that exam. Absences from class due to the observance of a religious holiday will normally be excused. Individual students who will have to miss class to observe a religious holiday should notify the instructor by the end of the Add/Drop period to make prior arrangements for making up any work that will be missed. The final exam period runs until ____________
ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

SCHEDULE

 

Week 1: Introduction to the Fourth Dimension - Thery

In this first week the students will be introduced to the concept of fourth dimension and gain knowledge over historical and artistic aspects of such practice. 

Introduction to the concept of the fourth dimension in art questioning traditional notions of time, space, and perception

Exploration of key theoretical frameworks and philosophical concepts related to temporality

Analysis of influential artists who have pushed the boundaries of temporal expressions

 

Week 2: Introduction to the Fourth Dimension - Practice

In this second week the students will be introduced to the concept of fourth dimension and gain first practical knowledge of such practice. 

Introduction to the concept of the fourth dimension in art questioning traditional notions of time, space, and perception

Exploration basic practical options related to temporality and media manipolation

First experimental practices to overcome artistic boundaries of temporal expressions

 

Week 3: Temporal Techniques and Tools

In the third week students will get general notions about the formal aspects of time-based artworks, experimenting with different analogue and digital working approaches.

Introduction to animation, video editing, sound design, and interactive media tools

Hands-on workshops and technical demonstrations to develop proficiency in time manipulation techniques

Experimentation with different media and technologies to expand creative possibilities

 

Week 4: Temporal Narratives and Spatial Experiences

During the fourth week the students will continue to explore the formal aspects, gaining an overview and structural knowledge of basic time-based practice. 

Analysis of temporal narratives and spatial experiences in art

Exploration of storytelling techniques, sequencing, and pacing within time-based artworks

Creation of time-based narratives through video art, performance, or interactive installations

 

Week 5: Interactive Temporal Environments – Part 1

In this week the “image-sound spatial sketch” task will be presented to the students, initiating their first individual time-based project to work on. 

Investigation of immersive environments

Development of projects that engage viewers in dynamic and participatory temporal experiences

Relevance of audience interaction into time-based artworks

 

Week 6: Interactive Temporal Environments - Part 2

During the 6th week the students will continue exploring other technical aspects, such as timing and sequencing, continuing to work on their projects. At the end of this class the group will collectively review their first 4D projects. 

Workflow “image-sound spatial sketch” 

Individual assistance and feedback exchange 

Reflective discussion and presentation of projects, emphasizing conceptual development and artistic growth

 

Week 7: Image based Temporal Environments - Part 1

In this week a second and more demanding project will be presented to the students, including moving elements and background elements. 

Investigation of image- based environments  “2D-3D-4D spatial sketch”

Development of projects that incorporate two-dimensional elements, still and/or moving images (digital and/or analogue) and sound

Relevance of digital and analogue techniques

 

 

Week 8: Midterm examination

Mid-term examination: Collective review the first time-based projects as well as individual critique session for mid-term grading.

Group critique of the produced time-based projects

Definition of students´ mid-term evaluations following individual critique sessions

 

Week 9: Image based Temporal Environments - Part 2

During this week the students will continue to work on their projects “2D-3D-4D spatial sketch” as well as continue exploring other technical aspects, such as image manipulation and sequencing. At the end of this class the group will collectively review their second 4D projects. 

Finalize and refine individual or collaborative time-based artworks

Curate and prepare artworks for a public exhibition or showcase

Reflective discussion and presentation of projects, emphasizing conceptual development and artistic growth

 

 

Week 10: Contextualizing the Fourth Dimension - Part 1

In the week after the mid-term examination students will be introduced to their final 4D project “2D-3D-4D with text elements”.

Investigation of interconnectivity between sound video and text

Development of projects that associate elements of text video and sound

Relevance of interconnection of different media and elements

 

 

Week 11: Contextualizing the Fourth Dimension - Part 2

During this session the students will continue to work individually on their projects “2D-3D-4D with text elements”, concentrating on the aesthetics of composition and on the time-based balance of the elements. 

Finalize and refine individual or collaborative time-based artworks

Curate and prepare artworks for a group review

Reflective discussion and presentation of projects, emphasizing conceptual development and artistic growth

 

 

Week 12: Final Project “Final 4D sketch” - Part 1

During this week the project “sunrise/sunset” will be finalized, resulting in a quality animation elaborated individually by each student. 

Introduction to the concept of the fourth dimension in art  questioning traditional notions of time, space, and perception

 

 

Week 13: Final Project “Final 4D sketch” - Part 2

In week 12 the final project “Final 4D sketch” will be introduced. This will be the most advanced project of the course, resolving in a time-based artwork. In this session students will create a specific work-plan for the final project.

Work-plan for a final time-based project questioning traditional notions of time, space, and perception in a spacial environment

Collection of necessary material for the final project

Individual workflow

 

 

Week 14: Final Project “Final 4D sketch” - Part 3

During this last “Final 4D sketch” the students will introduce and combine sound elements with their animation, finalizing the project for the final examination of the course. 

Individual workflow

Finalize and refine individual or collaborative time-based artworks

Curate and prepare artworks for a group review

 

 

Week 15: Final examination 

Final presentation of all projects, group critique and course feedback. Final grading. 

Reflective discussion and presentation of projects, emphasizing conceptual development and artistic growth

 

 

 

Student achievement in this course will be measured using multiple assessment tools including but not limited to:

• Portfolios: digital, video and/or web (30%) 

Students will be asked to put together a portfolio of works and projects achieved during the semester. 


 

weekly assignments (30%) 

Students will have weekly assignments that will be evaluated and part of the final grading process.


 

Midterm classroom critique (30%) 

During this group critique students will learn to formulate constructive critique and to express their aesthetical considerations. This process will be part of the final grade evaluation.

 


class attendance and participation (10 %)

Students are asked to attend class regularly to be able to follow up with the course program.