Week
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Topic
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Readings Assignments
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Assignments & special instructions
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Jan 16
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Course Introduction and Overview:
Inventing the Baroque
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Readings for each lecture should be completed before the lecture
•Ann Sutherland Harris, Seventeenth-Century Art and Architecture, Introduction. On reserve in the library; also available as an e-book on archive.org.
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Jan 18
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Italy, 1585-1620: The Carracci and their Academy
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•Seventeenth-Century Art and Architecture, Chapter 1: pp. 1-34
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Jan 23
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Italy, 1585-1620: Caravaggio and his followers
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•Seventeenth-Century Art and Architecture, Chapter 1: pp. 34-78
Recommended: Sheila McTighe, “Caravaggio’s Physiognomy,” in Representing from Life in Seventeenth-Century Italy, pp. 41-90. E-book
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Jan 25
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Italy, 1620-1660: The Completion of St. Peter’s Basilica / Bernini and Sculpture in Rome
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•Seventeenth-Century Art and Architecture, Chapter 1: pp. 85-125
•Jennifer Montagu, Roman Baroque Sculpture, Ch. II, “From the Quarry to the Church.”
Recommended: Christina Strunk, “The Poisoned Present: A New Reading of Gian Lorenzo Bernini’s The Rape of Proserpina,” in Colantuono, Anthony, and Steven F Ostrow, eds. Critical Perspectives on Roman Baroque Sculpture. On library reserve.
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Jan 30
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Italy, 1600-1645: Francesco Borromini and Baroque Architecture
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•Rudolf Wittkower, Art and Architecture in Italy, Vol I., Ch. 6 (Architecture outside Rome), Vol. II, Ch. 3 (Francesco Borromini) and pp. 111-117 of Ch. 6 (Baldassare Longhena)
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Feb 1
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Italy, 1620-1645: Painting and Sculpture at Mid-Century
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•Seventeenth-Century Art and Architecture, pp. 113-125
Recommended: Rose Marie San Juan, “The Transformation of the Río de la Plata and Bernini's Fountain of the Four Rivers in Rome,” Representations, Vol. 118, No. 1 (Spring 2012), pp. 72-102. Available through the JSTOR database.
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Feb 6
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Special Lecture: Artemisia Gentileschi and “Exceptional” Women Painters of the 17th Century
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•Mary Garrard, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art, Introduction and Ch. 5 “Judith”
Recommended: Jesse Locker, Artemisia Gentileschi: The Language of Painting, Ch. 5. “L’immagine dell’autrice” Artemisia’s Self-Portraits Revisited”
•Seventeenth-Century Art and Architecture, Chapter 2
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Feb 8
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Spain, 1590-1625
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•Seventeenth-Century Art and Architecture, Chapter 3, pp. 195-231
Recommended: Jonathan Brown, Painting in Spain: 1500-1700, Ch. 5 “Naturalism in Castile and Valencia 1598-1621”
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Short paper on art in Rome due by midnight (Rome time); upload to Moodle TurnItIn
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Feb 12
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Spain, 1625-1655: Velazquez and Art in the Reign of Philip IV
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•Jonathan Brown, Painting in Spain: 1500-1700, Ch. 7
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Feb 15
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Spanish painting abroad: Ribera, Murillo, and some examples from New Spain
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Feb 16
Makeup day
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Special Lecture: Velazquez’ Las Meninas – Theorizing Visual Representation
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•Assigned readings will be provided separately with reading summary assignment
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Submit reading summary by class time; upload to Moodle TurnItIn
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Feb 20
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Review for Midterm
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Be prepared for discussion with questions; review notes and readings
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Feb 22
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Midterm Exam
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Exam will take place in the classroom unless circumstances change
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SPRING BREAK FEB 26 – MAR 1
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Mar 5
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Flemish and Architecture, 1600-1625:
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•Seventeenth-Century Art and Architecture, Chapter 5, pp. 311-333
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Mar 7
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Peter Paul Rubens and Anthony Van Dyck
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Mar 12
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Flemish Painting, 1600-1640:
Genre and Still Life Painting
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Mar 14
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Dutch Art and Architecture, 1600-1660
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•Mariët Westermann, A Worldly Art : The Dutch Republic, 1585-1718, Ch. 5 “Portraiture and the Identity of Self and the Community”. Available as e-book via archive.org.
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Mar 19
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Dutch Art and Architecture, 1620-1660:
Rembrandt and Painting in Amsterdam
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•Seventeenth-Century Art and Architecture, Chapter 5, pp. 334-356
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Mar 21
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Printmaking from Callot to Rembrandt
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Mar 26
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Dutch Art and Architecture:
Genre Painting and Johannes Vermeer
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•Seventeenth-Century Art and Architecture, Chapter 5, pp. 356-386
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Mar 28
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Dutch Art, 1650-1700:
Landscape and Still Life
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Mariët Westermann, A Worldly Art : The Dutch Republic, 1585-1718, Ch. 4 “Dutch Ideologies and Nascent National Identity.” Available as e-book via archive.org.
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Apr 2
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France, 1600-1650: Paris under Henry IV / The French Caravaggisti
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•Seventeenth-Century Art and Architecture, Ch. 4, to p. 248; pp. 258-273
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Second reading summary due by midnight (Rome time)
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Apr 4
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France, 1620-1650: The Formation of a French School of Painting – the Royal Academy
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•Seventeenth-Century Art and Architecture, Ch. 4, pp. 254-258 (sculpture); pp. 273-309
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Apr 9
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France, 1650-1700:
Architecture under Louis XIV – Paris and Versailles
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•Seventeenth-Century Art and Architecture, Ch. 4, pp. 248-253
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Apr 11
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Italy, 1650-1700: Painting in and out of Rome
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.•Seventeenth-Century Art and Architecture, Ch. 1, pp. 125-141
•Wittkower, Art and Architecture in Italy, Vol. III, Ch. 5
Recommended: Christopher R. Marshall, “Public exhibitions, artistic rivalry and the internalization of Neapolitan Baroque painting,” in Baroque Naples and the Industry of Painting: The World in the Workbench. On library reserve.
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Apr 16
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Italy, 1650-1700: Sculpture in Rome, Venice, Naples and Palermo
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•Wittkower, Art and Architecture in Italy, Vol. III, Ch. 4
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Apr 18
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Italy, 1650-1700: Architecture across the peninsula
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•Wittkower, Art and Architecture in Italy, Vol III, Chs. 2 and 3.
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Apr 23
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Review for Final Exam
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Be prepared for discussion with questions; review notes and readings
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FINAL EXAM DATE AND LOCATION TO BE ANNOUNCED
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