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JOHN CABOT UNIVERSITY

COURSE CODE: "DJRN 380"
COURSE NAME: "Writing for Advocacy: Climate Crisis"
SEMESTER & YEAR: Spring 2024
SYLLABUS

INSTRUCTOR: Antonio Lopez
EMAIL: [email protected]
HOURS: MW 1:30 PM 2:45 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES: Prerequisite: EN 110 with a grade of C or above; Recommended: DJRN 221
OFFICE HOURS:

COURSE DESCRIPTION:
This course focuses on writing for media about the climate and environment. The climate crisis is deliberated in a contested public sphere by scientists, politicians, activists, and the fossil fuel industry. To make their arguments, competing advocacy groups deploy different framing and discursive strategies in the global media commons. Regardless of the kind of media being utilized—whether memes, editorials, journalism, public service announcements, image events, social media posts, or viral videos—writing is essential for researching, planning, designing, and scripting any climate communication.
SUMMARY OF COURSE CONTENT:

This semester we focus on how to write about and advocate solutions for the climate crisis. The climate crisis is deliberated in a contested public sphere by scientists, politicians, activists, and the fossil fuel industry. To make their arguments, competing advocacy groups deploy different framing and discursive strategies in the global media commons. In order to effectively communicate in this arena, writers and media creators need to recognize how environmental beliefs are tied to identity and values. Thus, being an effective environmental communicator requires targeting and developing appropriate communication strategies that are suitable for intended audiences. This also entails understanding how different media ecosystems work and what makes certain perspectives “sticky” and sharable. We explore the different kinds of filters used by media outlets to determine the range of debate and discussion of the issue. Regardless of the kind of media being utilized—whether memes, editorials, journalism, public service announcements, image events, Instagram posts, or Tik Tok videos—writing is essential for researching, planning, designing, and scripting any climate communication.

 

There will be some background readings, but this is primarily a practical course similar to COM 221 Writing Across the Media. There will be an assortment of writing and publishing activities focused on the process of researching and communicating about the climate crisis. This involves learning to interpret and analyze environmental communication, as well as learning to communicate in different forms. Students in the course will gain the practical skills of developing an argument through persuasive rhetoric and empirical evidence, combined with visual thinking. Writing activities include weekly blog posts and developing a moral vision statement. We will focus on several case studies and their communication strategies, such as #Keepitintheground, Extinction Rebellion, and #fridaysforthefuture.

LEARNING OUTCOMES:

•      Improve and hone writing skills for strategic communication.

•      Develop an environmental communication strategy with clear goals.

•      Develop a creative and aesthetic approach to communicating about climate change.

•      Write clearly about climate change in forms and styles appropriate for a variety of media formats.

•      Apply research strategies that are appropriate for communication tasks by Identifying, finding, and verifying authoritative information sources.

•      Become familiar with discourses and linguistic framing used in climate debates.

TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
Communicating the climate crisis: New directions for facing what lies aheadJulia B. CorbettLanham9781793638021  Ebook  
REQUIRED RESERVED READING:
Book TitleAuthorPublisherISBN numberLibrary Call NumberComments
Environmental Communication and the Public Sphere (SIXTH edition)Phaedra C. Pezzullo and Robert CoxSage9781544387031  
Ecolinguistics: Language, Ecology and the StoriesArran Stibbe Routledge978-0415837835  
Routledge Handbook of Environment and Communication, Anders Hansen and Robert Cox Routledge978-0367581831  

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
Class blog A class blog that focuses on communicating the climate crisis.30%
Moral Vision statementA one-page written statement about your environmental values.10%
A Fossil Fuel Autobiography A short three-to-five page paper on fossil fuels in life.10%
Digital story project proposalProduce a proposal for a climate crisis digital story.30%
Participation and attendance More than three unexcused absences and excessive tardiness will result in an automatic F for attendance and participation.10%
Climate communication portfolio Create a PowerPoint presentation that highlights your coursework with a slide for each assignment and in-class activity, featuring one image and 3-5 bullet points summarizing the key things you learned from the activity.10%

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course.
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:
ATTENDANCE REQUIREMENTS AND EXAMINATION POLICY
You cannot make-up a major exam (midterm or final) without the permission of the Dean’s Office. The Dean’s Office will grant such permission only when the absence was caused by a serious impediment, such as a documented illness, hospitalization or death in the immediate family (in which you must attend the funeral) or other situations of similar gravity. Absences due to other meaningful conflicts, such as job interviews, family celebrations, travel difficulties, student misunderstandings or personal convenience, will not be excused. Students who will be absent from a major exam must notify the Dean’s Office prior to that exam. Absences from class due to the observance of a religious holiday will normally be excused. Individual students who will have to miss class to observe a religious holiday should notify the instructor by the end of the Add/Drop period to make prior arrangements for making up any work that will be missed.  
ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

Note: This schedule is subject to change. Please see the class Moodle for the most updated schedule.
 
Module 1: Defining Values, Vision, and Story
 
Week 1: Overview
 
Reading
 
"If You Win the Popular Imagination, You Change the Game: Why We Need New Stories on Climate," Rebecca Solnet (pp. 23-36, PDF)
 
Background (optional)
 
"Global Warming’s Terrifying New Math," Bill McKibben
Comic: Global heating explained
New Yorker: Climate Change A-Z
 
Week 2: Telling a new story/vision statements
 
Reading
 
"Ecowriting: A Fieldguide," Gavin Lamb (pp. 35-56, PDF)
Eisenstein Introduction
 
Background (optional)
 
Corbett Ch. 2 “Fossil Fuel Culture”
"Peak Oil Fantasy," Charles C. Mann
Background reading (not required): 
"A Short History of Oil Cultures: Or, the Marriage of Catastrophe and Exuberance," Frederick Buell
 
Week 3: Fossil fuel culture/values/developing writing habits
 
Reading
 
The Uncertainty Handbook (PDF)
 
Reading (optional)
 
"How to fight climate despair" (short article), Anna North (Vox)
 
Background reading: Climate change: Young people very worried - survey (BBC)
Corbett Ch. 3 “Individuals as Social Actors” & 4 “Emotions and Climate Science”
 
Module 2: Blogging and Online Strategic Communication
 
Week 4: University on Fire (Values cont.)/ climate blogging
 
Assignment due: Moral vision statement
 
Reading 
 
"Introduction" (Stibbe): Link to ebook
The Right Words Are Crucial to Solving Climate Change (New Yorker)
 
Reading (optional)
 
Corbett Ch. 5 “Breaking the Silence”
 
Week 5: Blogging
 
Assignment due: Fossil Fuel Biography
 
Reading (optional): 
 
Corbett Ch. 6 “Justice and Faith”
 
Week 6: Blogging
 
Reading (optional): 
 
Corbett Ch. 7 “New Relationship with Eairth”
 
Week 7: Blogging 
 
Edit posts in class; plan next round of posts; screen The Story of Stuff
 
Module 3: Visual media
 
Week 8: Visual cultures of the climate movement
 
Reading
 
Climate Visuals: Seven principles for visual climate change communication (PDF)
 
Reading (optional): Pezzullo & Cox: Ch 3, “Symbolic Constructions of the environment”
 
Week 9: Memes
 
Reading
 
Peruse the Good Energy website and read the climate cheat sheet
 
Reading (optional): Pezzullo & Cox, Ch 4, “The Environment in/of Visual and Popular Culture”
 
Week 10: PSAs
 
Finish blog posts
 
Reading (optional):  Pezzullo & Cox: Ch 9 “Advocacy campaigns & Messaging”
 
Week 11: PSAs
 
Assignment: Class blog completed
 
Reading (Optional): Pezzullo & Cox: Ch 10 “Digital Media and Environmental Activism”; 
 
Module 4: Digital Storytelling
 
Week 12: Digital storyboarding, scripts
 
Reading (opitonal): Corbett Ch. 8 “Telling a New Story”
 
Week 13: Digital storytelling
 
Reading: Review 350.org website (Moodle), read digital storytelling guide
 
Week 14: Digital storytelling
 
Activity: Finish projects