PART I – NEW MEDIA, NEW WORLDVIEWS
Week 1. Introduction and Course Overview: Why Study Digital Culture?
Reading:
Raymond Williams, Keywords: A Vocabulary of Culture and Society (1976), pp. 87-93.
Charlie Gere, Digital Culture, (2002), pp. 11-20.
Watching:
Marshall McLuhan: The Medium is the Message, tv interview, excerpt, 1977.
The Incredible Machine, documentary, 1968.
Week 2. Technology in History
Reading:
Walter Benjamin, A Short History of Photography, 1931.
Watching:
Dziga Vertov, Man with a Movie Camera, 1929, excerpt.
The Story Behind Earth’s Most Famous Photo, YouTube video.
Face to Face, The PicturePhone, YouTube video, 1970
Week 3. Old Media and New Media
Reading:
Lev Manovich, Principles of New Media, in The Language of New Media, 2001.
Jay David Bolter and Richard Grusin, Remediation, Understanding New Media, 2000, excerpt (pp. 21-50).
Watching:
Kit Galloway and Sherrie Rabinowitz, Hole in Space, 1980.
Evolution of the Desk, by the Harvard Innovation Lab, 2014
Week 4. A Brief History of the Computer and the Internet
Reading:
James Curran, The internet of history: rethinking the internet's past, in Misunderstanding the Internet, Routledge, 2016.
Sadie Plant, Zeros and Ones: Digital Women and the New Technoculture, excerpt.
Watching:
William Gibson on the dawn of the Internet, tv interview, 1997.
Fred Turner, From Counter Culture to Cyber Culture, lecture, 2013.
Week 5. Interface and Hypertext
Reading:
Ted Nelson, A File Structure for The Complex, The Changing and the Indeterminate, 1965.
Jorge Luis Borges, The Garden of Forking Paths, 1941.
Watching:
Werner Herzog, Lo and Behold, Documentary, 2016 - excerpt.
Week 6. Hacker Culture
Reading:
Pekka Himanen, in The Hacker Ethic and the Spirit of the Information Age, 2001, excerpt.
Steven Levy, Hackers: Heroes of the Computer Revolution, excerpt.
Watching:
Hackers - Wizards of the Electronic Age, Documentary, 1985.
Week 7. Midterm review
Midterm review / test.
PART II – PARTICIPATORY CULTURES
Week 8. Open Source and Creative Commons
Reading:
Richard Stallman, Why software should not have owners, 1994.
Watching:
Revolution OS, Documentary, 2001.
Why is free software important? Richard Stallman, Video, 2013.
The Internet's Own Boy: The Story of Aaron Swartz, Documentary, 2014.
Week 9. The rise of Web 2.0
Reading:
Lawrence Lessig, Remix: Making Art and Commerce Thrive in the Hybrid Economy, 2008, excerpt.
Henry Jenkins, Convergence Culture: Where Old and New Media Collide, 2006, excerpt.
Watching:
Henry Jenkins, Henry Jenkins on Participatory Culture, Video, 2013.
Week 10. Memes & Viral Content
Reading:
Limor Shifman, Defining Internet Memes, in Memes in Digital Culture, 2013.
Valentina Tanni, To a Person with a Smartphone Everything Looks Like a Meme, 2021.
Ryan Milner, Logics: The Fundamentals of Memetic Participation, in The World Made Meme. Public Conversations and Participatory Media, MIT Press, 2016 (pp. 11-41)
Caspar Chan, Pepe the Frog Is Love and Peace: His Second Life in Hong Kong, in Chloë Arkenbout, Jack Wilson and Daniel de Zeeuw (edited by), Critical Meme Reader: Global Mutations of the Viral Image, Institute of Network Cultures, Amsterdam, 2021.
Watching:
How This Frog Meme Became A Symbol Of Hope And Hate, Video 2019
Bernie Sanders meme goes viral, Video, 2021
PART III – SURVEILLANCE, DATA EXTRACTIVISM AND AI
Week 11. Computer vision and Data surveillance
Reading:
Trevor Paglen, Invisible Images (Your Pictures Are Looking at You), 2016.
Will Knight, The Dark Secret at the Heart of AI, 2017
Watching:
Coded Bias, Documentary, 2020.
Memo Atken, Learning to see, artist video, 2017
Week 12. New Extractivism and Digital Labour
Reading:
Kate Crawford, Vladan Joler, Anatomy of an AI System, 2018
Vladan Joler, New Extractivism. An assemblage of concepts and allegories, 2020.
Week 13. Algorithmic Culture and Machine Learning
Reading:
Valentina Tanni, The Great Algorithm, Aksioma, 2022.
Watching:
Ben Grosser, Facebook Demetricator, Order of Magnitude, Go Rando, various dates.
Week 14. Wrap up