What is painting? What is its relationship to life and the world around? What distinguishes painting from other segments of the visible? The threshold between the seen and seemed, reality and imagination, is the program’s thematic framework, through which students will be guided to familiarize with a variety of basic artistic questions and tropes concerning pictorial perception, subjectivity, metaphor, illusion with an emphasis on making.
Traditions, material approaches and wider critical and philosophical inquiries implied in oil painting will be introduced and explored over classes aimed at discovering the students' own personal responses. Painting’s constituent elements – shape, mark-making, colour, materials, surface – will be investigated via the presentation of single key-words, each representing an aspect of the creative process, from which to develop process-based tasks, studio time, presentations, discussions, readings and visits.
The course is therefore an immersion in what painting can add to the experience of the world, expanding it and encouraging lateral thinking with an attention to the fruitful differences with other fields of experience (environment, communication, information, technology).