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JOHN CABOT UNIVERSITY

COURSE CODE: "EN 215"
COURSE NAME: "Introduction to Literary and Cultural Theories"
SEMESTER & YEAR: Fall 2022
SYLLABUS

INSTRUCTOR: Alessandra Grego
EMAIL: [email protected]
HOURS: TTH 3:00 PM 4:15 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES: Prerequisite: EN 110 with a grade of C or above
OFFICE HOURS:

COURSE DESCRIPTION:
Designed as an introduction to the theoretical approaches to literature, the course will stimulate students to think and write critically through the study of the principal topics of literary theory. The course will adopt both a historical approach, covering each theory in the chronological order of its appearance on the scene, and a critical approach - putting the theories to the test by applying them to a literary text. The course will also help students to move on to an advanced study of literature by introducing them to the research methods and tools for the identification, retrieval, and documentation of secondary sources.This is a reading and writing intensive course. Students in 200-level literature classes are required to produce 4-5,000 words of critical writing.
SUMMARY OF COURSE CONTENT:
Students will learn to identify and employ the principal literary and cultural theories and develop their own critical skills, approaching texts in an theoretically informed way,  using research methods and writing critical papers of academic quality. Students will also learn to take into due consideration the interactions between literature, history, politics, cultures and theory. Students will test their understanding of the various theories by performing critical readings of a single text from different perspectives.
LEARNING OUTCOMES:
This class will demonstrate how a single text can appear radically different depending on the theoretical approach employed. Studying the key concepts and basic terminology of each literary and cultural theory, students will exercise their critical skills as they experiment how to effectively use theory to analyze cultural texts.
On completing this course students will be able
 - to approach a text from a theoretical perspective
 - to focus on form rather than content
 - to reflect deeply, research effectively, and write critically
TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
The Routledge Companion to Critical and Cultural TheoryWake, Paul and Simon MalpasRoutledge 2013‎ 978-0415668309  E-book available from Frohring library   
Literary Theory: An AnthologyRivkin, Julie and Michael Ryan (eds.)Blackwell Anthologies 2017 9781118718384, 1118718380 E- book available from Frohring LibraryEbook  
Key Terms in Literary TheoryKlages, MaryContinuum 2012 978-0826442673 E-book available from Frohring LibraryEbook  
REQUIRED RESERVED READING:
Book TitleAuthorPublisherISBN numberLibrary Call NumberComments
The Routledge Critical and Cultural Theory ReaderBadmington, NeilRoutledge 2008978-0415433099 Print copy available from Frohring LIbrary
Literary Theory, An IntroductionEagleton, TerryUniversity of Minnesota Press 1996081661251X, 9780816612512 E-book available from Frohring Library

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
2 research papers2000 word reseach papers in which you demonstrate your ability to analyze a text from a given theoretical perspective50%
Final Exam 20%
Paricipation gradeForum posts on the topic of the week and quizzes on each theory, informed class participation.10%
PresentationsGroup Presentations: organized teamwork to present a critical overview and practical application of each theory20%

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course.
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:

ATTENDANCE REQUIREMENTS AND EXAMINATION POLICY

Class attendance is mandatory.  If you miss more than 4 classes - whether they are formally excused or not -  it will impact your grade (1/4 of a grade per successive absence, e.g. from A to A-)  and if you miss 8 classes or more you may fail the class.
Students are required to follow some basic class rules: to arrive punctually, to stay in class for the whole period of the lesson, to refrain from using their mobile phones and laptops without authorization.

Permission to attend remotely must be granted by the Dean. Exceptional permission to attend remotely may be granted by the instructor upon request and at their discretion.

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

Session

Session Focus

Reading Assignment

Other Assignment

Meeting Place/Exam Dates

Week 1

Introduction to the course: what is Theory? Structuralist Theory

Routledge Companion, Chap. 1 and Definition of "sign" p. 296.

Propp, V. "Morphology of the Folktale." In Routledge Theory Reader.

 

Week 2

Structuralism and Semiotics

Routledge Companion, chap. 2 "Structuralism and Semiotics." Saussure "Linguistic Value" in Routledge Theory Reader.

Forum on Structuralism / Quix on Structuralism

 

Week 3

Marxist Theory

Routledge Companion, chap. 4 "Marxism." Marx, "Preface to Critique of Political Economy" in Routledge Theory Reader.

Forum: Comment on Marx's Preface.

 

Week 4

Later Marxism: Frankfurt School/Gramsci/Althusser

Gramsci, "Observations on Folklore"; Althusser, "Ideology and Ideological State Apparatus" in Routledge Theory Reader

Quiz on Marxism. Watch "A Pervert's Guide to Ideology," dir. Sophie Fiennes, 2013

 

Week 5

Psychoanalytic Theory. Presentations Group A.

Routledge Companion, chap. 7, "Psychoanalytic Criticism." Freud, "Group Psychology" in Routledge Theory Reader

Forum on Bettelheim's interpretation of Little Red Riding Hood.

 

Week 6

Psychoanalytic Theory continued: Jung & Lacan

 

First Home Paper due

 

Week 7

Feminist Theory: Feminist Waves

Routledge Companion, chap. 9, "Feminism." Wollstonecraft, "A Vindication of the Rights of Woman." Woolf, "A Room of One's Own."

 

 

Week 8

Feminist Theory Continued. Presentation Group B

Carter, "The Company of Wolves." Duffy, "Little Red Cap." Dahl, "Little Red Riding Hood and the Wolf." Garner, "Red Riding Hood."

Forum on "The Company of Wolves."

 

Week 9

Gender Theory: Foucault / Butler/ Haraway

Butler, "Subjects of Sex/Gender/Desire" in Routledge Theory Reader Lorde, "Age, Race, Class, and Sex."

Watch Adichie's Ted Talk "We Should All be Feminists," and Beyoncè's video "Flawless." Forum: discuss Adichie's Ted Talk.

 

Week 10

Race and Postcoloniality

Routedge Companion, chap. 11, "Race and Postcoloniality." Said, "Orientalism."

Quiz on postcolonial Theory.

 

Week 11

Postcolonial Theory continued: Presentations Group C

Said, "Orientalism." Perrault, "Bluebeard."

Forum on Orientalism.

 

Week 12

Postructuralism

Routledge Companion, chap. 5, "Postructuralism." Barthes, "The Death of the Author."

Second Home Paper Due

 

Week 13

Postmodernism

Routledge Companion, chap. 11, "Postmodernism." Foucault, "Panopticism."

Quiz on Postructuralism & Postmodernism Forum on Foucault's "Panopticism."

 

Week 14

Presentations Group D Revision & Exam preparation