1. Introduction/ Understanding Eyes and Hands
Part 1. Materials and Use
Form: What are pencils and paper?
How does one draw?
physical relationship between hand and materials
Content: What does one draw (and NOT draw)?
On-site option: Studio
Assignment: Self Portrait
Part 2. Relating to Space
Being in Space: setting up, comfort and composition
Translating Space: 3D to 2D, simple perspective
On site option: Castel Sant’Angelo gardens
Assignment: drawing straight lines: vertical, horizontal, diagonal; perspective drawing
Part 3. Action and Research
How fast or how slow can I draw? Gesture drawing and blind contour
Hand and Mind
Listening and Acting = Reacting
On-site option: Studio or outdoor studio
Assignment: Fast and slow drawings, Blind contour
Research Assignment on Natural Environment and Cultural Artifacts (see description below)
Group Critique
2. Space/ Understanding and Using Environments
Part 1: The Natural Environment: Landscape
research and catalog/villa di Livia
deep space and atmosphere
On site option: Gianicolo
Assignment: Homemade pigments and tools and drawings
Part 2: Architecture Environments
How does architecture relate to the natural world?
Line and tone, organic and inorganic
Painting vs Drawing, John Singer Sargent
On site Option: Piazza Navona
Assignment: Tonal Drawing; lines and no lines
Part 3: Interior Environments
Working with light, working with sound
Static and narrative space, Leonardo
On site option: studio, San Giovanni dei Fiorentini
Assignment: Blanket Fort drawing
Research Assignment on Environmental art, Land art, or ecological art.
Group Critique
3. Home and Hearth/ Understanding Use
Part 1: Mortal and Immortal: The Still Life, or Natura Morta (dead nature)
Working with light, working with time
Caravaggio and Photography
On site option: studio, Galleria Corsini
Assignment: Still Life: Living and dead drawings
Part 2: Sustainable vs Disposable.
Yard and garden foraging and inventory, Urban foraging
Residue, trash, and the remnants of consumption.
Arte Povera
On site option: studio/GNAM
Assignment: Homemade tools and pigments /charcoal and ink
Part 3: Cooking.
The Kitchen as Studio
Cultural narratives of availability and use
The kitchen as vernacular architecture
Temperature/texture and patience/anticipation
On site option: Jewish Ghetto
Assignment: Fabric Dyes and basic color
Research Assignment on Cooking and Color (see description)
Group Critique
4. Figuring The Other/ Understanding the Human Form
Part 1: The Gesture
Work from the model
Translating movement, timed and untimed drawings
Musical chairs and Matisse
On site option: Ponte Sant’Angelo
Assignment: On site gesture drawings
Part 2: The Gaze
The purpose of portraiture
Possession, place, class, race
The place (environment) of portraiture
Caricatures
On site option: Museo di Roma a Trastevere
Assignment: Portraits
Part 3: The Figure in Space
Uniting Gesture and Gaze in Space
3D space and experience
On site Option: Galleria Borghese
Assignment: continuous, multi-page drawings
Research Assignment on an Artist (see description)
Group Critique