Course Schedule
Students are expected to follow weekly posts on Moodle, as the schedule may change according to student input and updates to course format. Details of assignments will be given each week.
1. The Act of Art
Introduction to course and materials
The Act of Art and simple techniques.
Gesture and language
Kinds of Ink (Part 1). Oak gall and fermented inks, lamp black
Research: Cennini, The Craftsman’s Handbook, Herzog, The Cave of Forgotten Dreams
Assignment: tonal scales, write a letter with a brush, and first paintings, only lines
2. Heaven and Earth
Positive and Negative space
Line vs. Tone.
Kinds of Ink (Part 2). Carbon (burnt) blacks
Shadows and silhouettes / foreground and background
Research: Silhouettes in Greek pottery, 19th century portraiture, Christian Boltanski, Kara Walker
Assignment: positive and negative paintings, silhouettes and self-portrait, eliminate lines
3. Critique 1.
Research: relevant to critique, Oriental Painting text
Assignment: Making and using pens and brushes, Homemade inks, part 1
4. Life and Death
Still Life vs Natura Morta
Exercises in black and white using ink continued.
Line plus tone, value, greyscale. Compositional exercises (thumbnails)
Time and texture in still life
Kinds of Ink (part 3). Organics, Sepia, Cochineal
Research: purpose of still life, Roman to Renaissance, Italian to Dutch
Assignments: still life: something living and something dead; homemade inks, part 2
5. Land and Landscape
Elements of the landscape, geology
On-site class TBA
Complex compositions and simplification of visual information
Organic and inorganic subject matter
Research: David Hockey on Van Gogh, Romanticism in Europe and America
Assignment: geological and flora inventory and sketches, landscape paintings
6. Critique 2, Midterm
Group critique of work to date
Research: relevant to critique, Le Clair text
Assignment: watercolors, color wheel and neutrals (swatches)
7. Sea and Seascape
Introduction to color and watercolors
Basic color theory. Chromatic black vs black, neutrals and compliments
The horizon and water: seas and rivers
Research: John Singer Sargent in Venice, JWM Turner, Gloucester artists, Charles Olson (video)
Assignment: On site paintings in watercolor
8. Making watercolors
Inks vs watercolors vs dyes, oil paint and egg tempera
How materials effect styles, Florence vs. Venice
Research: Icon painting, Botticelli, Caravaggio, Grand Tour (Corot)
Assignment: Continue making watercolors, paintings in watercolor
9. Critique 3
Research and Assignments relevant to critique
Research Project Due
10. Architecture and Habitat
Architecture: Space, structure, geometry
Social spaces and change
On-site painting,
Research: Monet, Soleri and Arcosanti, Land Art, Environmental Art
Goldsworthy, Turrel, Agnes Denes, Nancy Holt
Assignment: environment vs structure, watercolor
11. People and Portraits
Basic proportions, portraiture, flesh tones
Figure painting and pose
Identities
Research: Durer, Gentileschi, Manet, Lucien Freud
Assignment: portrait and self-portrait, watercolor
12. Critique 4
Research and Assignments relative to critique
13. Before and Beyond
Other applications of water-based media:
Egg tempera, Fresco, Encaustic
Fresco demonstration and exercises
Materials of transformation
Contemporary applications of ancient media
Research: Peter Flaccus, Altoon Sultan, Arte Povera
Assignment: work on portfolio
14. Final Portfolio Presentations