PLEASE NOTE THAT THE INSTRUCTOR CAN MAKE CHANGES TO THE SYLLABUS.
WEEK 1
Introduction: Cinema, History, Nation.
Screening: Roma città aperta (Rome Open City, Rossellini,
1945)
READINGS: Millicent. Marcus Roma Città Aperta, "Introduction" to
Italian Film in the Light of Neorealism, UP Princeton, 1986 pp. 3-29;
Rossellini's Open City: The founding, pp. 33-53 .
P. Bondanella, History of Italian Cinema: "The Neorealist Era:Exploring the Boundaries of Neorealism"
WEEK 2
Neo-Realism I: A
Historical Approach. Lecture and class discussion
Screening: Ladri di
Biciclette (Bicycle Thief, De Sica, 1948).
READINGS: Millicent Marcus. "De Sica's Bycicle Thief:
Casting shadows on the visionary city" in Italian film.
WEEK 3
From Neorealism to Commedia all'Italiana.
Screening: I soliti ignoti (Big Deal on Madonna Street,
1958, Mario Monicelli)
READINGS: P. Bondanella, History of Italian Cinema "The Golden Age of Italian Cinema:Commedia all'italiana-Comedy and Social Criticism"
P. Ginsborg, "The Economic Miracle: Rural
Exodus and Social Transformation. 1958-1963" in History of Contemporary
Italy. Penguin Books, 1990, pp. 210-253; 499-508.
WEEK 4
Italian Cinema and the Economic Miracle.
Screening: Le notti di Cabiria (F. Fellini, 1957)
READINGS: P. Bondanella, "La dolce vita, The Art Film Spectacular".in
The Films of Federico Fellini, Cambridge UP, 2002.
Home screening and fim profile 1: La dolce vita (F. Fellini, 1960).
WEEK 5
Film profile 1 DUE
The other side of 'La dolce vita'.
Screening: Mamma
Roma (Pier Paolo Pasolini, 1962).
READINGS: D. J. Rhodes, Stupendous, Miserable City.
Pasolini's Rome, Minnesota University Press, 2007. Chapter 5
WEEK 6
Class Discussion on Pier Paolo Pasolini's Cinema
Screening: L'eclisse (Michelangelo Antonioni, 1962)
READINGS: P. Bondanella History of Italian Cinema "The Neorealist Era: The Break With Neorealism, the Cinema of the Reconstruction in Rossellini and Antonioni, Fellini's Trilogy of Character and Grace; and the Return of Melodrama with Visconti and De Sica".
Home screening and film profile 2: Blow-up (M. Antonioni, 1966).
WEEK 7
Film Profile 2 DUE
Class Discussion. Review for Midterm
WEEK 8
Ancient Myths in Italian Cinema-Screening: Medea (Pier Paolo Pasolini, 1969)
Readings: Lada Stevanović, Between Mythical and Rational Worlds: Medea by Pier Paolo Pasolini inAlmut-Barbare Renger, Jon Solomon (eds), Anvient Workd in CInema and Televison.
WEEK 9
Italian Cinema in the 70's.
Screening: Il conformista (B. Bertolucci, 1970)
READINGS: M. Marcus, Chapter on Il conformista in Italian
Film.
P. Bondanella, History... "The Golden Age of Italian Cinema: Neorealism's Legacy to a New Generation and the Political Film" .
WEEK 10
Screening:
Indagine di un cittadino al di sopra di ogni sospetto (E. Petri, 1970)
Class Discussion
READINGS: M. Marcus, Chapter on Investigation
Mikel J Koven, What is giallo?in La dolce morte. Vernacular
Cinema and the Italian Giallo Film, Scarecrow Press, 2006, pp. 1-18
P. Bondanella, History... "Italian Crime Films from the 1970s to the Present".
Home screening and film profile 3: Portiere di notte (The Night Porter, L. Cavani, 1974).
WEEK 11
Film profile 3 DUE
Towards a Postmodern Cinema.
Screening: Caro Diario (Nanni Moretti, 1994)
Class Discussion
READINGS: M. Marcus, "Caro Diario and the Cinematic Body of Nanni Moretti" in After Fellini, John Hopkins University, 2002, pp. 285-299.
WEEK 12
ORAL PRESENTATIONS
WEEK 13
The Return of Politics in Italian Cinema.
Screening:
Buongiorno notte (M. Bellocchio, 2004)
READINGS: Carlo Testa, "Film, Literature, and Terrorism:
Mapping Italy's Political Landscape by Cinematic Means", Italica, Vol 84,
n. 4, Winter 2007, pp. 781-798.
ORAL PRESENTATIONS
Home screening and film profile 4: Lo chiamavano Jeeg Robot (G. Mainetti, 2016).
WEEK 14
Film profile 4 DUE
Rethinking Cinematic Visuality. Screening: Cosmonauta (S. Nicchiarelli, 2009)
Readings: Nicoletta Marini-Maio, Susanna Nicchiarelli's Cosmonauta: The Space Race, or When Communist Girls Dreamed of the Moon
Review for Final
DIGITAL RESOURCES FOR THE COURSE ARE AVAILABLE IN:
https://jculibrary.on.worldcat.org/courseReserves/course/id/10050388
Additional Readings will be provided week by week in digital format