1. Tues. Sept. 3 Introduction to the Course, and to Rome.
Themes/Works:
Course requirements and logistics. Mythological and Topographical Origins of Rome. Greek and Etruscan influences. Tiber Island, the Cloaca Massima, Forum Boarium, the great altar of Heracles Invictus, S. Omobono area, Capitoline hill.
Meet: JCU classroom.
Assigned reading: None.
2. Tues. Sept. 10. From Romulus to Caesar, the Roman Forum
Themes/Works:
City foundation; survival of Regal period monuments; Republican period temples, and imperial period palaces. Forum: Regia, Lapis Niger, Curia/Comitia, Basilica Aemilia, the Temple of Saturn, the Temple of Castor and Pollux, Temple Concordia, Temple of Vesta,
Meet: Campidoglio (next to the statue of Marcus Aurelius)
Assigned reading:
Claridge: history: 4-9; materials and orders: 39-41, Roman forum: 63-67, 75-77, 83-84, 105-11; Tuck: Chapter 3: ‘The Early Republic’: Introduction, Brief Historical Survey: 49-50.
3. Tues. Sept. 17 The Republic – Triumphs and Temples
Themes/Works:
The Roman military triumph; victory temples. Theatre of Pompeii, Largo Argentina temples, Circus Flaminius, Porticus of Octavia, Forum Holitarium, Forum Boarium temples, Circus Maximus.
Meet: Piazza Farnese.
Assigned reading:
Claridge: history: 9-10; Theatre of Pompey: 239-41; Largo Argentina temples: 241-6; Circus Flaminius 250-1; Porticus of Octavia 253-6; Forum Holitarium 279-82; Forum Boarium temples 285-88; Circus Maximus 299-300. Tuck: The Role of Elites 4-5, Italic versus Classical Styles and Forms I: Temples 5-6; Chapter 3: ‘The Early Republic’: Roman tomb painting of the early Republic: 63-65, including art and literature box text; Chapter 4: ‘The Later Republic’: Introduction 78, Architecture and Urban Planning 78-83, including Art and Literature text box 79.
4. Tues. Sept. 24 Late Republic to Imperial Rome: Portraits and Painting
Themes/Works:
Portraits and identity, portraits and politics. Veristic and Augustan portraiture: statue of general from Tivoli, statue of Augustus from Via Labicana. Augustan painted interiors: Livia’s dining room from Prima Porta, Villa Farnesina paintings. Hellenistic sculpture: the Boxer. The Portonaccio Sarcophagus.
Meet: Entrance to Palazzo Massimo, Piazza dei Cinquecento.
Assigned reading: Claridge: history: 15-18. Tuck:Cultural Property Controversies, 2- 3, Dating Dilemmas, 3, Restoration Issues, 4, Italic versus Classical Styles and Forms II: portraiture, 7-9, Narrative Moment, 16-17, Roman Wall Painting in the Late Republic, 94-100, including Scholarly Perspective text box, 99, Late Republican Sculpture, 108-11, Third Style Wall painting, 132-3. Portraits of Augustus 115-117, including text boxes. Chapter 6: ‘The Julio- Claudians’: Portraiture, 147.
5. Tues. Oct. 1 Pax Augusta
Themes/Works:
The creation of a new Augustan order and iconography; the princepsas role model. The Ara Pacis, the Mausoleum of Augustus, the Horologium. Early Pantheon and baths of Agrippa.
Meet: Entrance to the Ara Pacis Museum.
6. Tues. Oct. 8 Palaces, Nero and the Flavians
Themes/Works:
Articulating imperial status in Rome; Hellenism and Italic traditions; Palatine: the hut of Romulus, the house of ‘Augustus,’ the Temple of Apollo, the Domus Transitoria, the Palace of Domitian. The Domus Aurea, the Temple of Peace, the Flavian Amphitheatre, the Arch of Titus, the Forum Transistorium [Forum of Nerva].
Meet: Metro Colosseo.
Assigned reading:
Claridge: Palatine hill, 125-8, hut of Romulus (‘victory precinct’ section): 131-2, Temple of Apollo, 142-144, Domitian’s Palace: 145-55; Arch of Titus, 121-2, Temple of Peace and Forum of Nerva, 169-76, Domus Aurea, 301-6, Colosseum, 312-9, Ludus Magnus, 319. Tuck: Chapter 4: ‘The Later Republic’:Historical Context text box on amphitheatres, 90; Chapter 5: ‘The Age of Augustus’: The Palatine Hill 128-132; Chapter 6: ‘The Julio-Claudians’: Intro 146, Nero, 163-4, Palace Architecture, 167-168, Domus Aurea: Nero’s Golden House, 168-71, Conclusion, 177; Chapter 7: ‘The Flavians’, 179-181, Architecture 182-186, Domitian, 197, Historical reliefs: Arch of Titus 201-3, Architecture 205-209, Conclusion, 209.
7. Tues. Oct. 15 *Mid-term Exam*
NOTE EARLY START TIME
Themes/Works:
Aspects related to completion of the Term Paper: Source evaluation, reference use, bibliographic formatting.
Meet: JCU classroom - 8.30 am
8. Tues. Oct. 22 The High Empire: Imperial Fora and the Campus Martius
Themes/Works:
The emperor and the gods; depictions of war and non-Romans; commerce and cosmopolitanism; architectural innovation and continuity. Trajan’s column, Trajan’s markets, the imperial fora, the Temple of Venus and Rome, the column of Marcus Aurelius, the Pantheon, the Stadium and Odeon of Domitian.
Meet: Trajan’s column.
Assigned reading:
Claridge:history 18-21, Forum and Markets of Trajan, 180-96, Campus Martius, 197-204, Columns of A. Pius & M. Aurelius, 216-21, Pantheon, 226-34, Stadium and Odeon of Domitian, 234-8. Tuck: Tools and Techniques textbox on concrete 85, also Concrete Architecture 141-2; Chapter 8: ‘Trajan and Hadrian’, 212-14, Architecture 215-24, Sculpture, 225-230, including View from the Provinces textbox, 229-30, Scholarly Perspective textbox, 234, Conclusion, 244; Chapter 9: ‘Antonine Emperors’ Intro, 246-7, Architectural sculpture 253-5, Reliefs from the Victory Monuments of Marcus Aurelius, 257, Conclusion, 271-2.
9. Tues. Oct. 29. Emperors and Religion.
Themes/works: The Capitoline Museums. Imperial portraiture through the years. Marcus Aurelius’ equestrian statue and panel reliefs, statue of Constantine. Head of Brutus, role models and virtus. Verism and Naturalism. The Capitoline Wolf – dating issues.
Meet: Statue of Marcus Aurelius on the Campidoglio.
Assigned reading: Claridge: Statue of Marcus Aurelius, 266. Tuck:Female Portraiture and embedded values, 9-10; Chapter 3: ‘The Early Republic’: Capitoline Brutus, 69 (last paragraph)-70; Chapter 7: ‘The Flavians’: Portraiture, 181, 197-200, including scholarly perspective textbox; Chapter 8: ‘Trajan and Hadrian’: Portraiture, 214-5, Portraiture of Empresses, 215; Chapter 9: ‘Antonine Emperors’ Portraiture: 247-53, Reliefs from the Victory Monuments of Marcus Aurelius, 256; Chapter 10: ‘Civil War and Severan Dynasty’: Portraiture, 275-9; Chapter 12: ‘Constantine’: Portraiture: 336-7.
10. Tues. Nov. 5. The Forum from the Severans to Late Antiquity
Themes/works: Appropriations and additions in the forum, mapping the city. (TheTemple of Antoninus Pius and Faustina); the Arch of Septimus Severus, the Arch of the Argentarii; rebuilding under Diocletian, the Decennalia Monument, the new Rostra, honorary columns along the Basilica Julia, the Basilica of Maxentius and Constantine, the column of Phocas. The Forma Urbis.
Meet: Entrance to the Roman Forum, Via dei Fori Imperiali.
Assigned reading: Claridge:History 21-4, Arch of Septimus Severus, 78-9, Rostra, 85-87,the column of Phocas, 87-8, honorary columns, 91-2, Temple of Antoninus Pius and Diva Faustina, 111-3, Basilica Maxentius and Constantine, 115-7, Arch of the Argentarii, 292-3 Tuck: Chapter 10: ‘Civil War and the Severan Dynasty’: Intro, 274, Trends and developments in Severan art, 274-5, Historical Reliefs, 284-7, including Historical Context textbox, 285, Forma Urbis Romae, 292-5, Conclusion 299-30; Chapter 11: ‘The Third century and the Tetrarchy’: The Decennalia Monument, 312-13.
11. Tues. Nov. 12. Myth and Sarcophagi
Themes/Works: Changes in burial practice, sarcophagi, use of myth in private art.
Meet: Entrance to Palazzo d’Altemps.
Assigned reading: TuckChapter 9: ‘Antonine Emperors’: Sarcophagai 263-8, including Scholarly Perspective textbox, 266; Chapter 10: ‘Civil War and the Severan Dynasty’: Sarcophagai, 289-92, including More on Myth textbox, 291; Chapter 11: ‘The Third century and the Tetrarchy’: Diocletian, 307-8, the Tetrarchy 308-9; Sarcophagai, 315-8; Imperial Architecture, 320-2.
12. Tues. Nov. 19 Infrastructure and Art at the Edges of the City
Themes/works: The Aurelian walls, aqueducts, demotic art. Porta Maggiore, the baker’s tomb. Basilica churches: S. Giovanni in Laterano.
Meet: Steps of San Giovanni in Laterano.
Assigned reading: Claridge: Aqueducts, 60-1, Aurelianic Walls, 61, Porta Maggiore and the Tomb of the baker Eurysaces, 383-7, S. Giovanni in Laterano, 376-7. Tuck: Chapter 5: ‘The Age of Augustus’: Traditional Italic style in the age of Augustus, 137-9; Chapter 11: ‘The Third century and the Tetrarchy’: Intro, 302-6.
13. Tues. Nov. 26. Tetrarchs to Constantine: Re-using Rome
Themes/Works: Art quoting art, art quoting history, re-use of sculpture and themes,spolia, orientating new monuments to the old city, the rise of Christianity. The Arch of Constantine, San Clemente.
Meet: Campidoglio.
14. Thurs. Dec. 6 Review Class
Review: Course reader page 9 – identify monuments discussed in class. Pose 3-5 questions, based on your revision study, for which you would like clarification and further detail.
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15. tba Final Exam