PLEASE NOTE THAT CHANGES IN THE
SCHEDULE COULD BE MADE BY THE INSTRUCTOR
make up day: FEBRUARY 22
WEEK 1
Introduction: Cinema, History, Nation.
Screening: Roma città aperta (Rome Open City, Rossellini,
1945)
READINGS: Millicent. Marcus Roma Città Aperta, "Introduction" to
Italian Film in the Light of Neorealism, UP Princeton, 1986 pp. 3-29;
Rossellini's Open City: The founding, pp. 33-53 .
P. Bondanella, History of Italian Cinema: "The Neorealist Era:Exploring the Boundaries of Neorealism"
WEEK 2
Neo-Realism I: A
Historical Approach. Lecture and class discussion
Screening: Ladri di
Biciclette (Bicycle Thief, De Sica, 1948).
READINGS: Millicent Marcus. "De Sica's Bycicle Thief:
Casting shadows on the visionary city" in Italian film.
Home screening: Paisà (R.Rossellini, 1946)
WEEK 3
Neo-Realism II: An
Aesthetic Approach. Lecture and class discussion
Screening: Riso Amaro
(Bitter Rice, De Santis, 1949).
Reading: Millicent Marcus, "De Santis's Bitter Rice. A
neorealist hybrid"
FEBRUARY 6: evening screening Il principe di Ostia Bronx (R. Passerini; 2017). MANDATORY
WEEK 4
Class discussion
Screening: I soliti ignoti (Big Deal on Madonna Street,
1958, Mario Monicelli)
Readings: P. Bondanella, History of Italian Cinema "The Golden Age of Italian Cinema:Commedia all'italiana-Comedy and Social Criticism"
P. Ginsborg, "The Economic Miracle: Rural
Exodus and Social Transformation. 1958-1963" in History of Contemporary
Italy. Penguin Books, 1990, pp. 210-253; 499-508.
Home screening: La dolce vita (F.Fellini, 1960)
P. Bondanella, "La dolce vita, The Art Film Spectacular".in
The Films of Federico Fellini, Cambridge UP, 2002.
WEEK 5
TEST 1- Critical reviews DUE (Paisà and La dolce vita DUE)
Lecture and class
discussion.
Screening: Mamma
Roma (Pier Paolo Pasolini, 1962).
Readings: D. J. Rhodes, Stupendous, Miserable City.
Pasolini's Rome, Minnesota University Press, 2007. Chapter 5
Friday: Screening TBA
WEEK 6
Class Discussion on Pier Paolo Pasolini's cinema
Screening: L'eclisse (Michelangelo Antonioni, 1962)
P. Bondanella History of Italian Cinema "The Neorealist Era:The Break With Neorealism, the Cinema of the Reconstruction in Rossellini and Antonioni, Fellini's Trilogy of Character and Grace; and the Return of Melodrama with Visconti and De Sica"
WEEK 7
Class Discussion-Review for Midterm
MIDTERM MARCH 7
SPRING BREAK MARCH 11-15
WEEK 8
Screening: Il conformista (B. Bertolucci, 1970)
Readings: M. Marcus, Chapter on Il conformista in Italian
Film.
P. Bondanella, History... "The Golden Age of Italian Cinema:Neorealism's Legacy to a New Generation and the Political Film"
WEEK 9:
Screening:
Indagine di un cittadino al di sopra di ogni sospetto (E. Petri, 1970)
Class Discussion
Readings: M. Marcus, Chapter on Investigation
Mikel J Koven, What is giallo?in La dolce morte. Vernacular
Cinema and the Italian Giallo Film, Scarecrow Press, 2006, pp. 1-18
P. Bondanella, History... "Italian Crime Films from the 1970s to the Present".
Home screening Roma violenta (Violent City, F. Martinelli,1975)
WEEK 10
Screening: C’eravamo
tanto amati (Ettore Scola, 1974)
TEST 2- Class Discussion
Reading: Marcus, Chapter on C'eravamo tanto amati in
Italian film...
WEEK 11
Screening: Caro
Diario (Nanni Moretti, 1994)
Class Discussion
Reading: M. Marcus, "Caro Diario and the Cinematic Body
of Nanni Moretti" in After Fellini, John Hopkins University, 2002, pp.
285-299.
P. Bondanella
Home screening: Maria per Roma (K. Da Porto, 2016)
WEEK 12:
Screening:
Buongiorno notte (M. Bellocchio, 2004)
Readings: Carlo Testa, "Film, Literature, and Terrorism:
Mapping Italy's Political Landscape by Cinematic Means", Italica, Vol 84,
n. 4, Winter 2007, pp. 781-798
WEEK 13:
Critical reviews on home screenings (Roma violenta and Maria per Roma DUE)
Class discussion
Screening: Il
divo (P. Sorrentino, 2007)
P. Bondanella, History... "Italian Cinema Enters the Third Millennium"
Week 14:
Screening: Lo chiamavano Jeeg Robot (G. Mainetti, 2016)
Class Discussion/Review for Final Exam.