COURSE SCHEDULE:
Week 1:
Introduction: Cinema, History, Nation – Thinking about Film, History and Narratives
Screening: Roma Città Aperta (Rome Open City, Rossellini, 1946)
Neo-Realism I: A Historical Approach
Week 2:
Screening: Ladri di Biciclette (Bicycle Thief, De Sica, 1948)
Neo-Realism II: An Aesthetic Approach
Week 3:
Screening: Riso Amaro (Bitter Rice, De Santis, 1949)
Screening: Viaggio in Italia (Voyage to Italy, Rossellini, 1954)
Week 4:
Screening: I Soliti Ignoti (Big Deal on Madonna Street, Monicelli, 1958)
Beyond Neo-Realism – Popular Cinema vs. Art Cinema
Week 5:
Screening: Il Sorpasso (The Easy Life, Risi, 1962)
Modernization and the Economic Miracle – “Il Boom”: Comedy Italian Style/Fast Cars, Culture and Consumption
Evening Screening: La Dolce Vita (The Sweet Life, Fellini, 1960)
Week 6:
Screening: Il Deserto Rosso (Red Desert, Antonioni, 1964)
Modernism I: Authors, Abstraction, Alienation and Modernist Narratives –An International Style
Week 7:
Screening: Mamma Roma (Mamma Roma, Pasolini, 1962)
Modernism II: The Cinema of Poetry and the Myth(s) of Modernization
Week 8:
Screening: Per Un Pugno di Dollari (A Fistful of Dollars, Leone, 1964)
Popular Genres: The Two Publics – Popular Culture, Class, History and National Identity
Evening Screening: 6 Donne Per l'Assassino (Blood and Black Lace, Bava, 1964)
Week 9 & 10:
Screening: Il Conformista (The Conformist, Bertolucci, 1970) / Indagine su un cittadino (Investigation of a Citizen Above Suspicion, Petri, 1970)
Retold Narratives, Film After 1968: Rethinking the Past, Questioning the Present – Terrorism and the “Anni di Piombo
Gender Complicated
Evening Screening: Profondo Rosso (Deep Red, Argento, 1975) / Roma A Mano Armata (The Tough Ones aka Brutal Justice, Lenzi, 1976)
Week11:
Screening: La Notte di San Lorenzo (The Night of the Shooting Stars, P&V Taviani, 1984)
Retold Narratives: Revisiting Neo-Realism
Evening Screening: Amore Tossico (Toxic Love, Caligari, 1983) / Lamerica (Amelio, 1995)
Week11:
Screening: Ladri di Saponette (Icycle Thief, Nichetti, 1989)
Italian Cinema in the Age of Postmodernism: Deregulation, Television and Postmodernity
Evening Screening: Caro Diario (Dear Diary, Moretti, 1994) / Videocracy (Gandini, 2009)
Week12:
Screening: Arianna (Lavagna, 2015)
Postmodernity: Authors, Subjectivity and Queer Representation
Extra Screening: I Am Love (Guadagnino, 2009)
Week13:
Screening: Mediterranea (Carpignano, 2015)
Ethics for an Encounter: Secession, Immigration and Refugees
Week 14:
Screening: Lo chiamavano Jeeg Robot (They Called Him Jeeg Robot, Mainetti, 2015)
Post-cinematic Vision and the Digital Turn
Evening Screening: Romanzo Criminale (TV-Series, 2008-2010, Sollima) and Gomorra (TV-Series, 2014-on going, Sollima)