The course is divided into five units; each week covers one unit.
1. The first unit explores the cultural value and definition of art. We will begin our examination with an examination of various standards or conditions of what makes something artistic, and discuss the nature of critical assessment. An important part of this discussion is the ideal of beauty and aesthetic appeal in art: Is beauty a necessary or sufficient of art? Is there such a thing as non-beautiful art? How do other factors, such as pleasure, social impact, shock value, affect our understanding of artistic significance?
2. The second unit concentrates on aesthetics and the creative process. We will study various theories about how artists create their works, including some discussions about genius and inspiration. Central to this discussion is the ability of art to connect through emotional expression on the part of the artist and emotional response on the part of the audience. Does it matter if the emotion that produces a work differs from the emotion that receives it? Is art fundamentally a form of communication or transmission?
3. The third unit studies the sources and the ontology of art. We will consider the issue of replicas, restoration, and forgeries in art. What makes a work of art so valuable? Why are forgeries nearly worthless? In this discussion we are concerned with what philosophers call the ontology of art. We will also consider the settings of some works of art, and whether or not a different presentation of art might affect status or meaning.
4. The fourth unit explores the theme of meaning and representation. We will examine pictures and representational art, which is a relatively straightforward expression of art. What is the relationship of the original to the representation? Is accuracy some kind of artistic standard? Does it make sense to ask what a work of art means?
5. The fifth unit studies the value of art. We will explore the distinction between fine art and popular art, and also consider subjective factors that affect our responses to artistic expression, including gender and race. Precisely what kinds of value do we discover by attending to art? Are these values unique to the world of art or are they replicable in other enterprises, such as sport?