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JOHN CABOT UNIVERSITY

COURSE CODE: "EN 303H"
COURSE NAME: "The Victorian Novel -HONORS (This course carries 4 semester hours of credits. A minimum CUM GPA of 3.5 is required)"
SEMESTER & YEAR: Spring 2017
SYLLABUS

INSTRUCTOR: Shannon Russell
EMAIL: [email protected]
HOURS: TTH 11:30AM 12:45PM
TOTAL NO. OF CONTACT HOURS: 60
CREDITS: 3
PREREQUISITES: Prerequisite: EN 110 with a grade of C or above and one previous English literature class
OFFICE HOURS:

COURSE DESCRIPTION:
This course focuses on the novel of the Victorian period analysing the reasons which led to the predominance of the form and how it succeeded in balancing mass popularity and aesthetic complexity. The study of the possible critical approaches to the texts and the identification of the formal structures which govern the novel will be an integral part of the course, as will a consideration of the novel’s relationship to cultural and historical changes in the period.
SUMMARY OF COURSE CONTENT:
This course focuses on the novel of the Victorian period analysing the reasons which led to the predominance of the form and how it succeeded in balancing mass popularity and aesthetic complexity. The study of the possible critical approaches to the texts and the identification of the formal structures which govern the novel will be an integral part of the course, as will a consideration of the novel’s relationship to cultural and historical changes in the period.

Students who achieve high levels of academic excellence (minimum cumulative grade point average of 3.5) have the option of taking specially designated Honors Courses. These may also include occasional interdisciplinary seminars open only to such students. More frequently, regular John Cabot University courses may be offered with an option of taking them for four academic credits as Honors Courses. Students who register for such courses as Honors Courses must complete additional assignments (e.g., research papers or portfolios) in which they delve more deeply into the subject matter in question. These additional assignments are graded on a "grant of Honors credit/no grant of Honors credit" basis and are not calculated into the final grade for the course. For the granting of Honors credit, students should produce work of a quality that would receive a B (3.00/4.00) or higher and this will be noted on their transcripts. Students taking a course as an Honors Course also enjoy additional mentoring time with the instructor. Instructors for Honors Courses are chosen by the Dean of Academic Affairs in conjunction with the Department Chair, based on their expertise and teaching excellence.

LEARNING OUTCOMES:
This course focuses on the novel of the Victorian period analysing the reasons which led to the predominance of the form and how it succeeded in balancing mass popularity and aesthetic complexity. The study of the possible critical approaches to the texts and the identification of the formal structures which govern the novel will be an integral part of the course, as will a consideration of the novel’s relationship to cultural and historical changes in the period.

Students who achieve high levels of academic excellence (minimum cumulative grade point average of 3.5) have the option of taking specially designated Honors Courses. These may also include occasional interdisciplinary seminars open only to such students. More frequently, regular John Cabot University courses may be offered with an option of taking them for four academic credits as Honors Courses. Students who register for such courses as Honors Courses must complete additional assignments (e.g., research papers or portfolios) in which they delve more deeply into the subject matter in question. These additional assignments are graded on a "grant of Honors credit/no grant of Honors credit" basis and are not calculated into the final grade for the course. For the granting of Honors credit, students should produce work of a quality that would receive a B (3.00/4.00) or higher and this will be noted on their transcripts. Students taking a course as an Honors Course also enjoy additional mentoring time with the instructor. Instructors for Honors Courses are chosen by the Dean of Academic Affairs in conjunction with the Department Chair, based on their expertise and teaching excellence.

TEXTBOOK:
Book TitleAuthorPublisherISBN numberLibrary Call NumberCommentsFormatLocal BookstoreOnline Purchase
A Child of the JagoArthur MorrisonBroadview Press978-1-55111-985     
The Picture of Dorian GrayOscar WildeBroadview Press1-55111-126-8     
The MoonstoneWilkie CollinsBroadview Press978-1-55111-243-5     
Great ExpectationsCharles DickensBroadview Press9-781551-111742     
Jane EyreCharlotte BronteBroadview Press1-55111-180-2     
The Strange Case of Dr. Jekyll and Mr. HydeRobert Louis StevensonBroadview Press1-55111-655-3     
REQUIRED RESERVED READING:
NONE

RECOMMENDED RESERVED READING:
NONE
GRADING POLICY
-ASSESSMENT METHODS:
AssignmentGuidelinesWeight
2 Research papers of 8-10 pages eachEssays should include peer-reviewed research and conform to MLA standards in presentation.50% (25% each)
Mid-term ExamThe mid-term exam will be held in a regular class time and will require an essay response.10%
Seminar PresentationSeminar presentations are designed to enhance our historical understanding of the context of the novel studied. Students will be expected to do some research and to present a seminar on a specific topic to be assigned by the professor. Presentations should be 15-20 minutes in length and may involve a powerpoint presentation, hand-outs, a short film or any relevant mode of communication. The focus of the presentation should be the provision of contextual information and material from the Victorian period that will contribute to our understanding of the Victorian novel, in general, and in particular. Seminars should be starting points for discussion of the issues relevant to the novel discussed. Aim to expose some aspect of Victorian culture that might surprise the class, force us to ask questions we might not normally ask, and which can enrich our engagement with the novel studied.10%
   
Participation Participation implies active contributions to class discussion. Attendance is required but it alone does not contribute to your grade in participation.10%
Final Exam 20%
Honors Component to be decided between teacher and student by Week 3See the description of Honors requirements, in general. By Week 3, Honors students will have met with the professor to discuss what they want to do to fulfil the Honors requirements and a timetable for presentations or due dates for papers will be determined then.Pass/Fail

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:
This course focuses on the novel of the Victorian period analysing the reasons which led to the predominance of the form and how it succeeded in balancing mass popularity and aesthetic complexity. The study of the possible critical approaches to the texts and the identification of the formal structures which govern the novel will be an integral part of the course, as will a consideration of the novel’s relationship to cultural and historical changes in the period.

Students who achieve high levels of academic excellence (minimum cumulative grade point average of 3.5) have the option of taking specially designated Honors Courses. These may also include occasional interdisciplinary seminars open only to such students. More frequently, regular John Cabot University courses may be offered with an option of taking them for four academic credits as Honors Courses. Students who register for such courses as Honors Courses must complete additional assignments (e.g., research papers or portfolios) in which they delve more deeply into the subject matter in question. These additional assignments are graded on a "grant of Honors credit/no grant of Honors credit" basis and are not calculated into the final grade for the course. For the granting of Honors credit, students should produce work of a quality that would receive a B (3.00/4.00) or higher and this will be noted on their transcripts. Students taking a course as an Honors Course also enjoy additional mentoring time with the instructor. Instructors for Honors Courses are chosen by the Dean of Academic Affairs in conjunction with the Department Chair, based on their expertise and teaching excellence.

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.
STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

CLASS MEETINGS      Spring 2017

 

Week 1







Tues. Jan. 19 
Introduction to the Course and Requirements 







View Simon Schama’s History of Britain: Victoria and Her Sisters  PLEASE VIEW THIS EPISODE -- ON RESERVE in LIBRARY



Read:  Jane Eyre Chapters 1-4 for Thursday







Optional background reading for essays, from Criminals, Idiots, Women and Minors (ON RESERVE in LIBRARY) Anna Brownwell Jameson's "The Milliners" and Margaret Oliphant's "The Condition of Women"; view of the governess in Harriet Martineau's "Female Industry"

Thurs. Jan. 21                  Last Day to Add/Drop







Jane Eyre 
 Chapters 1-4







Week 2   







Assignment of Presentation Topics and Schedule







Tues. Jan. 26







Jane Eyre 
Chapter 5-15







Thurs. Jan. 28   

Jane Eyre Chapter 16-26







Week 3

Tues. Feb. 2



Jane Eyre Chapters 27-33







1. Seminar: Phrenology and Victorian Racial/Cultural Theory          







Background reading:  Selection from Criminals, Idiots, Women, and Minors Frances Power Cobbe "What Shall We Do with Our Old Maids" and " vs. Marriage" and "Wife Torture in England" 







Due Today:  Send me an email of your Works Cited page in proper MLA format for your forthcoming essay.  In addition to the novel itself you should be citing at least 3-4 peer-reviewed academic sources from books and periodicals available on JSTOR or PROJECT MUSE.





Thurs. Feb. 4







Jane Eyre  
Chapters 34-38







2. Seminar: Victorian Attitudes to Suttee and Suicide (See Victorian Web)     

Week 4

Tues. Feb. 9







Great Expectations  Vol. 1  Chapters 1-9







Thurs. Feb. 11

READ Great Expectations  Vol. 1 Chapters 10-20  



  



3. Seminar:  Victorian Transportation of Convicts to Australia and the Case of George Barnwell 

 





Week 5  







Tues. Feb. 16  FIRST ESSAY DUE







Great Expectations 
 Vol. 2 Chapters 1-15







4. Seminar:  Darwin's ideas of evolution and Samuel Smiles's philosophy of Self-Help:  Can a gentleman be made?  







Thurs. Feb. 18     







Great Expectations 
Vol. 2 Chapters 16-20; Vol. 3 Chapters 1-7







Background reading:  Selection from Criminals, Idiots, Women, and Minors  Frances Power Cobbe's essay "Criminals, Idiots, Women and Minors"  







Week 6

Tues. Feb. 23







Great Expectations  
 Volume 3 Chapters 8-20 and Appendix A: Original Ending 







Thurs. Feb. 25  MID-TERM EXAM (Proctored)











Week 7







Tues. March 1







Wilkie Collins  The Moonstone  Prologue and First Period  







Thurs. March 3  







The Moonstone
 








 WEEK 8

Tues. March 8

The Moonstone  First Period







5. Seminar: Constance Kent Roadhouse Murder Case of 1860  (Broadview Appendix B)  and The Major Murry/Northumberland Street Case of 1861 (Broadview Appendix C)    



 



Thurs. March 10







The Moonstone 
Second Period: First and Second Narratives (Miss Clack and Matthew Bruff)







6. Seminar: Exeter Hall and the Philanthropic Movements of the mid-Victorian period  

Week 9







Tues. March 15 The Moonstone Third Narrative (Franklin Blake) 



 



Background reading:  Selection from Criminals, Idiots, Women, and Minors Margaret Oliphant "The Grievances of Women" and Helen Taylor "Women and Criticism"







Thurs. March  17

The Moonstone Fourth, Fifth, Sixth, Seventh and Eighth Narratives and Epilogue and "A Sermon for Sepoys" (Appendix D) 







Week 10







Tues. March 22







Dr. Jekyll and Mr. Hyde







7. Seminar:  Victorian Attitudes to Psychology -- The Science of Split Personalities (Broadview Appendix K)   







Thurs. March 24







Dr. Jekyll and Mr. Hyde  







8. Seminar: Ideas of Degeneration and Crime and the Jack the Ripper Case   







Week 11 SPRING BREAK March 28-April 1











Week 12







 Tues. April 5







Arthur Morrison Child of the Ago







9. Seminar: London's East End Slums in the 1890's compared to London of the 1880s  







Thurs. April 7



Arthur Morrison Child of the Jago







Week 13







Tues. April 12







Arthur Morrison Child of the Jago







Thurs. April 14







The Picture of Dorian Gray 
 Chapters 1-4



Week 14







Tues. April 19







The Picture of Dorian Gray 
 Chapters 5-10 







10. Seminar: Victorian Attitudes to Homosexuality (Appendix F) including Codes and Covers in a Homophobic age:  Pater, Huysman and Wildean Languor (Broadview Appendices D, E, G).   

Thurs. April 21







The Picture of Dorian Gray 
 Chapters 11-15 







(See selections from Criminals, Idiots, Women, and Minors, including  Eliza Lynn Linton "The Girl of the Period,"The Modern Revolt"  "The Wild Women: as Politicians," The Wild Women:  as Social Insurgents") 







SECOND ESSAY DUE







Week 15







Tues. April 26







The Picture of Dorian Gray
 Chapters 16-20







Background Reading:  Selection from Criminals, Idiots, Women, and Minors  Mona Caird "Marriage," "A Defence of the So-called Wild Woman"  Millicent Garret Fawcett "The Emancipation of Women"











Thurs. April 28  Last Day of Class







Meet at the Protestant Cemetery for field trip and Summing Up