Course Syllabus

JOHN CABOT UNIVERSITY

COURSE CODE: "COM 230-1"
COURSE NAME: "Foundations of Digital Video Production"
SEMESTER & YEAR: Spring 2017

SYLLABUS

INSTRUCTOR: Brian Thomson
EMAIL: [email protected]
HOURS: M12:30 PM 3:15 PM
TOTAL NO. OF CONTACT HOURS: 45
CREDITS: 3
PREREQUISITES:
OFFICE HOURS: By appointment

COURSE DESCRIPTION:
This course introduces students to the technical, conceptual, and aesthetic skills involved in video production through the single camera mode of production. Still the most dominant mode of film and video production, the single camera mode places an emphasis on using the camera to fullest capacity of artistic expression. In addition to the multiple skills and concepts involved with the camera, the course also introduces students to the principles and technologies of lighting, audio recording and mixing, and non-linear digital video editing. Special focus is given to producing content for successful web distribution.

SUMMARY OF COURSE CONTENT:

This course will answer some of the most pressing questions repeatedly asked by first-time and amateur filmmakers:

How do you effectively and efficiently transform an idea first into a story, then into a screenplay, next into a production schedule, and finally into moving images and sound that emotionally transport an audience?
How do you operate a camera, record clean audio, and generally make your actors look like they’re in a Hollywood film?
What can I do with Final Cut Studio that I can’t do with iMovie?
Gee, I saw this great shot/camera move/effect in [The Godfather, Bowling for Columbine, The Matrix, etc.]—how’d they do that?
What exactly does a [key grip, best boy, gaffer, etc.] do?
I saw an awesome video on youTube. Why don’t my videos ever go viral and get a billion hits?

In short, this course will provide you with an intensive overview of the entire filmmaking process, from soup to nuts, as you work with a production unit to produce a short narrative or documentary film for DVD and web distribution.

As a matter of fact, the course is so intensive that I would urge you to start work on your first assignment NOW! Watch the video below for more details...

http://www.youtube.com/watch?feature=player_embedded&v=R32xCGv4dbc

LEARNING OUTCOMES:
By the end of this class, you will understand how a film is made from conception through distribution, and you will know how to develop a story for maximum audio-visual impact. You will gain hands-on experience of all stages of film production: from producing storyboards, operating a professional camera, and setting lights through designing a web site, crafting special effects (CGI and sound), and producing a polished DVD that will help your film reach as wide an audience as possible. In short, you should have all of the skills necessary to begin producing professional-level work for the media industry as well as a polished piece of work for your demo reel.

TEXTBOOK:

NONE

REQUIRED RESERVED READING:

NONE

RECOMMENDED RESERVED READING:

NONE

GRADING POLICY
-ASSESSMENT METHODS:

Assignment	Guidelines	Weight
Screenplay		15
Preproduction Package		15
Midterm		15
Final Project		30
Participation	Participation is not simply a question of attendance and raising your hand in class. In order to receive your fifteen points, you must attend class and ask questions AND you must work for at least three days on group members' productions. To get credit, the director/producer of the project must turn in a call sheet with your signature.	15
Final Exam		10

-ASSESSMENT CRITERIA:
AWork of this quality directly addresses the question or problem raised and provides a coherent argument displaying an extensive knowledge of relevant information or content. This type of work demonstrates the ability to critically evaluate concepts and theory and has an element of novelty and originality. There is clear evidence of a significant amount of reading beyond that required for the course
BThis is highly competent level of performance and directly addresses the question or problem raised.There is a demonstration of some ability to critically evaluatetheory and concepts and relate them to practice. Discussions reflect the student’s own arguments and are not simply a repetition of standard lecture andreference material. The work does not suffer from any major errors or omissions and provides evidence of reading beyond the required assignments.
CThis is an acceptable level of performance and provides answers that are clear but limited, reflecting the information offered in the lectures and reference readings.
DThis level of performances demonstrates that the student lacks a coherent grasp of the material.Important information is omitted and irrelevant points included.In effect, the student has barely done enough to persuade the instructor that s/he should not fail.
FThis work fails to show any knowledge or understanding of the issues raised in the question. Most of the material in the answer is irrelevant.

-ATTENDANCE REQUIREMENTS:
PLEASE READ!
This course requires an extraordinary amount of work to be completed outside of class hours. Students who expect to travel frequently during weekends are strongly advised against registering for this course.

ACADEMIC HONESTY
As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision.

STUDENTS WITH LEARNING OR OTHER DISABILITIES
John Cabot University does not discriminate on the basis of disability or handicap. Students with approved accommodations must inform their professors at the beginning of the term. Please see the website for the complete policy.

SCHEDULE

Before the first day of class

Read up on pitching at Wordplayer.com and give us an idea for a 5-10 minute film: any narrative genre (thriller, horror, comedy, etc.- NO documentary), any style, any subject.

Week One
Video Basics
Using the exposure triangle (Aperture, Shutter Speed, ISO/Gain), white balance, how sensors work, codecs, introducing FCPX
In-class exercise: Shooting an interview

Week Two
Audio Basics
Sample rates and bit rates, compression schemes, microphones and recorders
In-class exercise: Creating foley for Spy vs Guy

Week Three
Synchronizing audio and video
The torture test: lip-sync, using a slate (even when you don't have one), auto-sync, audio channel configurations
In-class exercise: Pitch your movie

Week Four
Storytelling for film and video
Conflict, character, change. the hero's journey, three act structure (Syd Field's vocal)

Week Five
Screenwriting
Introducing FadeIn, writing action, writing dialogue
In-class exercise: writing a short scene, selecting final projects

Week Six
Composition
The rule of thirds, shot length, camera angles, camera movement, match cuts and jump cuts and cutaways
In-class exercise:The Run, Lola, Run time trials

Week Seven
3 Point Lighting

Week Eight

Project Greenlight, Breakdown and Preproduction

Week Nine

Shoot “The Dealer”

Week Ten

Edit “The Dealer”

BREAKDOWN AND STORYBOARD/SHOTLIST DUE

Week Eleven

Overcranking and undercranking

Week Twelve

Motion graphics, tracking, and titles

Week Thirteen

Workshop

Week Fourteen

Export and distribution

FINAL

FINAL FILMS DUE